'Jasper's gesture' has an unusual and irregular polygon shape. Like other artists at this time, Tony McGillick was exploring the idea that the shape of a painting need not be confined to the 'neutral' convention of the square, rectangle, oval or circle, but could be a dynamic part of the composition.
McGillick also focused on colour and its interaction within the painting. The flat surfaces and synthetic colours contrast with the single white panel in painterly encaustic (pigment and wax). This work was painted in Sydney after McGillick returned from London via America in the early 1960s where he had seen the work of American colour-field painters. The title however is a tribute to American artist Jasper Johns, whose influence helped to formulate McGillick's ideas and who often used encaustic.
From the Gallery Shop
synthetic polymer paint and wax on canvas, in four modular sections
170.1 x 162.5 cm overall (irreg.)
Signature & date
Signed u.l. verso, blue ball-point pen ".../ Tony McGillick". Not dated.
D G Wilson Bequest Fund 2003
Not on display
© Estate of Tony McGillick
Shown in 7 exhibitions
Tony McGillick (1968), Central Street Gallery, Sydney, 05 Jun 1968–29 Jun 1968
Tony McGillick, Pinacotheca Gallery, Australia, Oct 1968 -
Survey 6: Tony McGillick, National Gallery of Victoria [St Kilda Road], Melbourne, 21 Oct 1978–26 Nov 1978
Central Street: an exhibition of selected paintings shown at the Central Street Gallery in Sydney between 1966 and 1969, Charles Nodrum Gallery, Richmond, 23 Oct 1990–14 Nov 1990
The sense of making: Tony McGillick, selected works from the 60's 70's and 90's, Annandale Studio, Annandale, 23 Nov 2000–16 Dec 2000
Central Street Live:
- Penrith Regional Gallery & The Lewers Bequest, Emu Plains 16 Nov 2002–23 Feb 2003
- Macquarie University Art Gallery, Sydney 07 Mar 2003–05 May 2003
Tony McGillick: Painting is the Subject, Macquarie University Art Gallery, Sydney, 09 Jul 2018–10 Sep 2018
Referenced in 12 publications
George Berger., Sydney Jewish news, 'Aspden, McGillick and Mirka Mora', Sydney, 14 Jun 1968. Review of 1968 Central Street Gallery exhibition. A work titled 'Jasper's Garden' is mentioned, as is most likely the painting 'Jasper's Gesture', as no painting of that name is listed in the catalogue.
Rhonda Davis, Central Street live, 'The hidden seam', pg. 21-31, Sydney, 2002, 43. Private collection
Michael Desmond, Contemporary: Art Gallery of New South Wales Contemporary Collection, 'Abstraction', pg. 16-59, Sydney, 2006, 44, 45 (colour illus.).
Noel Hutchison., Honi soit, 'Noel Hutchison tracks around the Galleries', Sydney, Jun 1968. Review of Central Street Gallery exhibition, June 1968.
Paul McGillick, Survey 6: Tony McGillick, Melbourne, 1978, (illus.). cat.no. 9; collection: the artist
Paul McGillick, Survey 6: Tony McGillick, Melbourne, 1978. Produced to accompany the exhibition of the same name shown at the NGV in 1978.
Paul McGillick., Central Street: an exhibition of selected paintings shown at the Central Street Gallery in Sydney between 1966 and 1969, 'Introduction', Richmond, 1990, (colour illus.). cat.no. 10; collection: the artist
Linda van Nunen, Brought to light II: Australian art 1966-2006, 'Patterns of experience: Sydney abstraction', pg. 32-42, South Brisbane, 2007, 40 (colour illus.).
John Saxby (Editor), Look, 'Art school encaustic painting', Sydney, Jan 2019-Feb 2019, 13 (colour illus.).
Jill Sykes, Look, 'Small and temporary: but it's a big pointer to the future', pg. 28-29, Sydney, Sep 2011, 28 (colour illus.).
Michael Wardell, Look, 'Thanks to a generous benefactor', pg. 14-15, Sydney, Oct 2003, 14 (colour illus.).
Natalie Wilson, Tackling THE FIELD, 'Tackling The Field', pg. 1-29, Sydney, 2009, 9 (colour illus.), 25. NOTE: This work was hung in an adjoining room for the duration of the 'Tackling THE FIELD' collection focus display.