Title
Animal Locomotion - An Electrophotographic Investigation of Consecutive Phases of Animal Movements. Plate 332. Boxing, cross-buttocks [Vol. 5 Males (Pelvis Cloth)]
1885-1886
Artist
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Details
- Date
- 1885-1886
- Media category
- Photograph
- Materials used
- collotype plate
- Dimensions
- 24.3 x 29.5 cm image; 48.5 x 61.2 cm sheet
- Signature & date
Not signed. Not dated
- Credit
- Purchased 1989
- Location
- Not on display
- Accession number
- 236.1989.2
- Copyright
- Artist information
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Eadweard Muybridge
Works in the collection
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About
Muybridge was a pioneer in the advancement of photography and the development of the moving picture. Studies of movement became a widespread fascination later in the nineteenth century and improvements in photographic techniques allowed for a lower exposure time making these studies feasible. Having started his investigations in the 1870s, 'Animal Locomotion' is Muybridge's greatest work taking from 1884 to 1886 to complete. It contains 781 plates of animal and human movement for scientific and artistic purposes.
'Mr. Muybridge is not only an original but a daring man. He has smitten one of the gods of British ideology. Not the least instructive part of his lecture was his contrast between the positions of animals as shown in ancient or modern art with their true positions as shown by themselves in presence of the camera'. G.A. Sala, 'Tribune', New York, 24 June 1882.
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Exhibition history
Shown in 4 exhibitions
Selected recent acquisitions, 1989, Art Gallery of New South Wales, Sydney, 05 Sep 1989–17 Dec 1989
The Image of Man: Photography and Masculinity 1920 to 1950, Art Gallery of New South Wales, Sydney, 07 Feb 1997–06 Apr 1997
Body, Art Gallery of New South Wales, Sydney, 12 Sep 1997–16 Nov 1997
The Unflinching Gaze: photo media and the male figure, Bathurst Regional Art Gallery, Bathurst, 13 Oct 2017–03 Dec 2017
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Bibliography
Referenced in 2 publications
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Judy Annear and Daniel Mudie Cunningham, The Image of Man, Sydney, 1997. no catalogue numbers
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Anthony Bond, Body, 'Embodying the Real', pg. 11-80, Sydney, 1997, 32, 147 (illus.). figure 155, cat.no. 110
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