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Untitled (landscape)

circa 1950


Richard Moketarinja


1916 – 06 Jun 1983

Language group: Western Arrernte, Central Desert region

No image
  • Details

    Place where the work was made
    Hermannsburg Northern Territory Australia
    circa 1950
    Media category
    Materials used
    25.0 x 37.7 cm sight; 40.0 x 51.5 cm frame
    Signature & date

    Signed l.r. corner

    Gift of Susan Roberts 2002
    Not on display
    Accession number
    © Estate of Richard Moketarinja
    Artist information
    Richard Moketarinja

    Works in the collection


  • About

    Richard Moketarinja belongs to the first generation of Hermannsburg artists, those who were inspired to paint by the initial success of Albert Namatjira. As Richard Moketarinja is 16 years younger than Albert Namatjira he would have observed the start of the Namatjira's painting career.

    Rex Battarbee (Namatjira's mentor) says that he first became interested in Richard Moketarinja as an artist in 1940 when on a painting trip. Moketarinja painted some good watercolours that showed a lot of promise. However it wasn't until several years later that Richard Moketarinja started to paint seriously. In 1948 he spent most of the year painting and had good sales at low prices.

    According to Battarbee, Richard Moketarinja was the most outstanding draughtsman of the Hermannsburg painters and what Battarbee calls his 'strength of character' shows in his paintings. The painting Untitled (landscape) c.1950s depicts a typical central Australian landscape.

    The composition is unusual as there is what appears to be a river or creek bed in the foreground and two very spindly trees on the plain behind the creek. The painting is delicately painted yet assured. The opposite bank of the river is depicted and this miniature range parallels the ubiquitous purple/blue range on the horizon delineated against the sky. The sky is pale, almost white, and this mirrors the pale creek bed in the foreground.

    © Australian Art Department, Art Gallery of New South Wales, 2002

  • Places

    Where the work was made