The giant cable

Claude Flight and his Followers: The colour linocut movement between the wars:

• National Gallery of Australia, Canberra 17 Apr 1992–26 Jul 1992
• Art Gallery of New South Wales, Sydney 06 Oct 1992–29 Nov 1992
• National Gallery of Victoria [St Kilda Road], Melbourne 16 Dec 1992–01 Mar 1993
• National Art Gallery, Wellington, Wellington 19 Mar 1993–16 May 1993
• Auckland Art Gallery Toi o Tamaki, Auckland 03 Jun 1993–18 Jul 1993

Modernism 1900-1950: prints and drawings from the collection, Art Gallery of New South Wales, Sydney, 23 Jul 1994–25 Sep 1994

Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013

Modernists: selections from the European collection, Art Gallery of New South Wales, Sydney, 07 Nov 2015–25 Apr 2016

Clifford Ackley (Editor), British Prints from the Machine Age: Rhythms of Modern Life 1914-1939, Boston, 2011, p 134, col illus p 144. cat no 80

Frances Carey, Antony Griffiths and Stephen Coppel, Avant-garde British printmaking, 1914-1960, 1990, pp 85-86, illus p 85. cat no 64

Stephen Coppel, Linocuts of the machine age: Claude Flight and the Grosvenor school, England, 1995, p 110, illus p 111. cat no SA 17

Stephen Coppel, Claude Flight and His Followers: The colour linocut movement between the wars, Checklist, p18-23, Canberra, 1992, p 18. cat no 6

Renée Free, Modernism 1900-1950: prints and drawings from the collection, Sydney, 1994.

Ted Gott, Laurie Benson and Sophie Matthiesson, Modern Britain 1900-1960, Melbourne, 2007, p 99, col illus.

Hana Leaper, Sybil Andrews Linocuts: A Complete Catalogue, Farnham, 2015, pp 21, 34, p 64 (col illus). cat no 19

Gordon Samuels, Sybil Andrews and the Grosvenor School Linocuts, London, 2015, col illus p 47.

Peter White, Sybil Andrews: Colour Linocuts, Calgary, 1982, pp 26, 54, illus p 54. cat no 17