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Three-quarter-length nude, with arms raised



Henri Matisse


31 Dec 1869 - 03 Nov 1954


At one time Matisse was regarded as being as radical as Picasso. During the period in which he made this and other memorable prints, he was the acknowledged, if reluctant, leader of the fauvist movement. Rather than an organised school, fauvism represented a propensity in art that took late impressionist and post-impressionist pictoriality towards something rawer and more expressive. Historically, fauvism is a bridge to expressionism. Brutal reductions of form as much as brilliance of colour characterised the style. This black-on-white woodcut is thus a wholly fauvist work. Despite the simplicity of the composition, Matisse convinces the viewer of two things: first, that this is a record of a real and fully-rounded human presence studied from life; and, conversely, that it is no more than a terse and primitivistic arrangement of lines deployed across a surface. The tension between these extremes, and the fact of their simultaneous functioning, contributes to the almost fetishistic status of the work.

Art Gallery Handbook, 1999.


Alternative title

Nu de trois quarts, les bras levés Petit bois clair



Media category


Materials used

woodcut on brown paper


22/50. From an edition of 50 plus 2 trial proofs


34.4 x 26.7 cm image; 46.3 x 29.2 cm sheet (irreg.)

Signature & date

Signed l.l. image, [incised block] "HM" and l.c. sheet, pencil "Henri - Matisse...". Not dated.


Purchased with funds provided by the Art Gallery Society of New South Wales 1976


Not on display

Accession number


Artist information

Henri Matisse

Works in the collection


Shown in 6 exhibitions

Exhibition history

Referenced in 9 publications


Nicolas Draffin, Art Gallery of New South Wales handbook, 'Prints & Drawings', pp 109–24., Sydney, 1988, 120, illus p 120.

Henri Matisse, catalogue raisonne de l'oeuvre grave, 1983, Vol 1, p 248, no 318, illus p 249.

Modernism 1900-1950: prints and drawings from the collection, Sydney, 1994, np. no catalogue numbers

Fin de Siècle, Sydney, Jan 1994, np. no catalogue numbers

Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Works on Paper', pp 78–92, Sydney, 1999, p 87, illus p 87.

Paths to abstraction 1867-1917, Sydney, 2010, illus p 153.

Peter Raissis', Look: 1953-2003 celebrating 50 years, 'European works on paper', p 56, Sydney, May 2003, p 56, illus p 56.

Caroline Turner and Roger Benjamin (Editors), Matisse, Brisbane, 1995, p 185, illus p 185. no 35, as 'Petit bois clair'

Judith Wright, Look, 'Building the Collection', pp 6, Melbourne, Apr 1999, p 6, illus p 6.