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Title

Untitled 1994/95

1994-1995

Artist

Bill Henson

Australia

1955 –

  • Details

    Date
    1994-1995
    Media category
    Photograph
    Materials used
    type C photograph, adhesive tape, pins, glassine
    Dimensions
    244.3 x 278.8 cm
    Credit
    Contemporary Collection Benefactors 1996
    Location
    Not on display
    Accession number
    221.1996
    Copyright
    © Bill Henson. Courtesy Roslyn Oxley9 Gallery

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    Artist information
    Bill Henson

    Works in the collection

    77

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  • About

    Bill Henson's first solo exhibition, held at the National Gallery of Victoria in 1975 when he was 19 years old, heralded the beginnings of a unique photographic vision of the Australian landscape. Known for his brooding imagery and exacting artistic process, Henson alludes to the darkness of Caravaggio, the lightness of Purcell and the drama of Wagner. The intensity and intimacy of his images broach the boundary of the painterly and the cinematic, combining both surface and depth to reflect a space between the mystical and the real. Like Francesco Clemente, his photographs may begin with a fleeting vision or impression, a piece of music or line of writing, that echoes subconsciously before manifesting in his work.

    Henson's 'Untitled 1994/95' shows naked youths, cars and the darkened landscape that constantly fluctuates between space and time. It is a layered work, interspersed and fragmented by jagged reversed photographic paper that is pinned almost savagely to the surface. The glaring voids are not only temporarily blinding but create a shift akin to a screen obscuring the darkness and its content. The fracturing of the surface develops a provocative tension, splintering the image and adding to its intensity, further charging the displaced subjects with a brutal, baroque sensuality. The figural 'tableau vivant' is, as critic John Forbes suggested, an approximation of Renaissance art. There is also something medieval about the imagery and figures, which recall the rich and fractured spaces of Dieric Bouts' 'Hell' and 'Paradise' of 1450.

    © Art Gallery of New South Wales Contemporary Collection Handbook, 2006

  • Exhibition history

    Shown in 4 exhibitions

    • 46th Venice Biennale, Australian Pavilion, Venice Biennale, Venice, 11 Jun 1995–15 Oct 1995

    • Body, Art Gallery of New South Wales, Sydney, 12 Sep 1997–16 Nov 1997

    • Bill Henson, Art Gallery of New South Wales, Sydney, 08 Jan 2005–03 Apr 2005

      Bill Henson, Ian Potter Centre: NGV Australia, Melbourne, 23 Apr 2005–10 Jul 2005

    • On the Origin of Art, Museum of Old and New Art, Tasmania, 05 Nov 2016–17 Apr 2017

  • Bibliography

    Referenced in 3 publications

Other works by Bill Henson

See all 77 works