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Title

Dinnertime. Family of Mrs A J Young Tifton, GA

1909

Artist

Lewis Wickes Hine

United States of America

1874 – 1940

  • Details

    Date
    1909
    Media category
    Photograph
    Materials used
    gelatin silver photograph
    Dimensions
    12.4 x 16.7 cm image/sheet
    Signature & date

    Not signed. Not dated.

    Credit
    Gift of the Sydney Camera Circle 1977
    Location
    Not on display
    Accession number
    22.1983
    Copyright

    Reproduction requests

    Artist information
    Lewis Wickes Hine

    Works in the collection

    7

    Share
  • About

    Tifton, GA Jan 1909. A family working in the Tifton Cotton Mill. Mrs A J Young works in mill and at home. Nell (oldest girl) alternates in mill with mother. Mammy (next girl) runs 2 sides. Mary (next) runs 1 ½ sides. Elic (oldest boy) works regularly. Eddie (next girl) helps in mill, sticks on bobbins. Four smallest children not working yet. The mother said she earns $4.50 a week and all the children earn $4.50 a week. Husband died and left her with 11 children. 2 of them went off and got married. The family left the farm 2 years ago to work in the mill. January 22, 1909. (National Child Labor Committee caption card)

    Lewis Hine was one of America’s most important social documentary photographers. He was educated as a sociologist, and later taught science and photography at the Ethical Culture School in New York. One of his students was Paul Strand, America’s seminal modernist photographer. In the early decades of the 20th century Hine used photography as a tool to describe social conditions, relying on the veracity of the image as evidence which was used to substantiate claims made by progressive social reformist organisations.

    'Dinnertime. Family of Mrs A J Young Tifton, GA' is from a vast survey Hine undertook between 1908 and 1918 for the National Child Labor Committee (NCLC) in which he investigated the working and living conditions of children across America. His combination of ‘straight’ photographic technique and information-rich captions enabled the succinct illumination of the human cost associated with exploitative employment practices. At the time his findings achieved massive circulation in newspapers, not only raising public awareness, but in his words: ‘My child-labour photographs have already set the authorities to work to see “if such things can be possible”. They try to get around them by crying “Fake” but therein lies the value of the data and a witness. My “sociological horizon” broadens hourly.’1

    1. Goldberg V ed c1981, ‘Photography in print: writings from 1816 to the present’, University of New Mexico Press, Albuquerque pp 247–48

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 6 exhibitions

  • Bibliography

    Referenced in 4 publications

Other works by Lewis Wickes Hine

See all 7 works