We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Gold found by the artists, from the series Nightsea crossing 1981-1986



Marina Abramović


30 Nov 1946 –



30 Nov 1943 – 02 Mar 2020

  • Details

    Media category
    Materials used
    Cibachrome photograph
    101.0 x 102.0 cm sight; 108.7 x 108.7 cm frame
    Signature & date

    Signed and dated u.l. verso frame, ink "Marina Abramovic/ Ulay...1981".

    Purchased 1981
    South Building, lower level 1, 20th-century galleries
    Accession number
    © Marina Abromovic & Ulay/Bild-Kunst. Copyright Agency

    Reproduction requests

    Artist information
    Marina Abramović

    Works in the collection


    Artist information

    Works in the collection


  • About

    Photograph taken by John Lethbridge for Marina Abramovic and Ulay.

    Marina Abramovic is a performance artist who pushes her body to extreme levels of physical and mental endurance. In her early performances in Belgrade, she subjected her body to various forms of pain or danger, in some to the point where the performances reached their conclusion only when she lost consciousness or through the intervention of an audience overcome by the tension of witnessing her actions. In 1975 Abramovic met the German artist Ulay (Frank Uwe Laysiepen), who shared her artistic vision and for the next 13 years they lived and worked together, travelling around the world, performing and exhibiting their photographs and videos. Many of their joint performances also entailed endurance and pain with the added dimension of exploring the empathy and tension between male and female.

    Abramovic and Ulay first came to Australia in 1979 for the 3rd Biennale of Sydney. Inspired by a brief trip to Central Australia, they returned in 1980 to spend five months in the Australian outback. Travelling between various Aboriginal communities, they spent long periods alone in the desert, much of the time sitting in the shade in silence, exhausted by the heat of the day. Unlike many of their joint performances that involved a form of mental communication and mutual trust to create unity in front of an audience, they were now alone.

    It was during their time in the desert that they first conceived of the performance ‘Gold found by the artists’ that was to become the first of a series of 22 performances collectively titled ‘Nightsea crossing’ staged in various locations around the world between 1981 and 86. For the first performance, held at the AGNSW, the artists sat opposite each other at a table in silence, for the seven hours that the gallery was open to the public, every day for 16 days. Abramovic was dressed entirely in black and Ulay in red. Between them on the black painted table were 250 grams of gold nuggets, which they had found in the desert, an Aboriginal boomerang covered in 24-carat gold leaf and a live diamond-back python. After each day they returned directly to their lodgings and consumed nothing but water: endurance performances often involve fasting as a way of purifying the body and in some cases where a performance goes for days at a time, it is necessary for purely practical metabolic purposes.

    The culmination of these performances was their final work together, ‘The lovers: the Great Wall walk’ 1987, which marked their mutual decision to separate. Each starting at either end of the Great Wall of China, they walked 2000 kilometres over 90 days to meet in the middle and say goodbye.

    © Art Gallery of New South Wales Contemporary Collection Handbook, 2006

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 10 publications

Other works by Marina Abramović

See all 7 works

Other works by Ulay

See all 7 works