- Place where the work was made
- Media category
- Materials used
- hard-ground etching and aquatint, red, orange and brown ink on Velin Arches 200gsm white wove paper
- 40.0 x 59.0 cm platemark; 56.0 x 76.0 cm sheet
- Gift of Rabobank Australia Ltd 2007
- Not on display
- Accession number
- © Janice Murray/Copyright Agency
- Artist information
Works in the collection
This limited edition print portfolio was produced in July 2006 to commemorate the 400th anniversary of Dutch-Australian relations. Sponsored by Rabobank, the portfolio was produced by the Australian Print Workshop, Melbourne, in collaboration with the Embassy of the Kingdom of the Netherlands.
The title of the portfolio is drawn from the name of the first Dutch ship to land on Australian shores, the Duyfken or Little Dove. A vessel of the Dutch East India Company, the Duyfken landed on the west coast of Cape York Peninsula in March 1606 and Captain William Janszoon and his men went ashore. The portfolio is based on the notion of 'first encounters' to highlight this little known fact.
The Duyfken portfolio brings together 10 Indigenous artists from across the country with diverse art practices, resulting in an important collection of works that explore the notion of 'first encounters' in a number of ways and shed light on the exchanges that took place with a number of countries prior to colonisation.
The documentation for this print states:
"Jilamara is a Tiwi word that means 'design' or 'pattern'. This is a pattern from the Pukumani burial ceremonies the Tiwi have performed ever since the ancestor Purukuparli died millennia ago, and the first burial ritual took place. Janice's traditional country at Tinganu (Impinari) is where these ancestral events occurred: Purukuparli's footprint is still there".
Where the work was made