- Place where the work was made
- Shôwa period 1926 - 1988 → Japan
- circa 1967
- Media category
- Materials used
- stoneware, press moulded and cut
- 23.0 x 16.0 cm
- Signature & date
Not signed. Not dated.
- Gift of Mrs J. Higgs in memory of her husband Arthur 1992
- Not on display
- Accession number
- Artist information
Works in the collection
The Mingei movement was a Western-inspired craft movement, distinguished by its appreciation of, and inspiration from, European and Japanese folk crafts. Its most representative artist is perhaps Hamada Shôji. In 1920 Hamada accompanied the British potter Bernard Leach (who had studied pottery in Japan) to England. After Hamada returned to Japan in 1924, the two potters kept in touch, visiting and holding exhibitions together. Their works were largely inspired by English slipware and other folk pottery, and were given a theoretical support by Yanagi Soetsu (1889-1961), a religious philosopher who claimed that the supreme beauty of craft was found in pieces made by anonymous craftspeople for use by ordinary people. The theory, rather ironically promoted by works of prominent artists such as Hamada and Leach (who published Yanagi's theory under the title 'The unknown craftsman'), was embraced by many craftspeople. In Japan, the style has been continued by potters such as Kawai Takeichi and Shimaoka Tatsuzô.
'The Mingei Style', The Asian Collections, AGNSW, 2003, pg.268.
Where the work was made
Shown in 1 exhibition
Beyond Words: Calligraphic Traditions of Asia, Art Gallery of New South Wales, Sydney, 27 Aug 2016–30 Apr 2017
Referenced in 1 publication
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Ceramics', Sydney, 2003, 268 (colour illus.).
Other works by Hamada Shōji
See all 10 works