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Title

Margaret Alice

1900

Artist

Violet Teague

Australia

1872 - 1951

Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
Alternate image of Margaret Alice by Violet Teague
  • Details

    Date
    1900
    Media category
    Painting
    Materials used
    oil on canvas
    Dimensions
    193.2 x 91.5 cm stretcher; 214.5 x 113.5 x 10.0 cm frame
    Signature & date

    Signed l.r. corner, black oil "Violet Teague.". Dated u.l. corner, black oil ".../ AD 1900.".

    Credit
    Purchased 2017 with funds provided by the Australian Masterpiece Fund, including the following major donors: Barbara Gole (in memory of), Antoinette Albert, Anita & Luca Belgiorno-Nettis AM, Andrew Cameron AM & Cathy Cameron, Krystyna Campbell-Pretty & the late Harold Campbell-Pretty, Rowena Danziger AM & Ken Coles AM, Kiera Grant, Alexandra Joel & Philip Mason, Carole Lamerton & John Courtney, Alf Moufarrige AO, Elizabeth Ramsden, Susan Rothwell, Denis Savill, Penelope Seidler AM, Denyse Spice, Georgie Taylor , Max & Nola Tegel, Ruth Vincent
    Location
    Not on display
    Accession number
    192.2017
    Copyright

    Reproduction requests

    Artist information
    Violet Teague

    Works in the collection

    6

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  • About

    Melbourne-born Violet Teague achieved recognition as a fashionable portrait painter in the early 1900s. In the 1890s she had studied in Brussels and London. During this time, a diverse range of artists across the tradition of the grand portrait style, including Titian, Velazquez and Gainsborough greatly inspired her, as did the great innovators of modern portraiture, including the Americans Sargent and Whistler.

    Returning to Australia in 1895, Teague continued her studies at the National Gallery School and attended summer schools run by Emanuel Phillips Fox, an artist she maintained a close association with.

    The subject matter of 'Margaret Alice' is significant. It is rare to find images of women in relation to sport from this period of Australian art. As Victoria Hammond has noted in relation to this work “This kind of image represents a landmark in the suffragists’ battle for women’s health and greater physical mobility; in the 1880s it was considered risqué for a woman to engage in strenuous physical exercise”1.

    The artist Stella Bowen recalled the ordeal of playing tennis in her youth: “it took great courage to cross those immense lawns, hoping you would have enough petticoats (it was a crime to reveal you were a bi-ped above the hem-line, a difficult thing to conceal in the slanting Australian sunlight).”

    'Margaret Alice' is one of the outstanding portraits in Teague’s oeuvre. The work is sumptuously rich in its ambience and elaborations of dress, fabric, textures and colours schemes.

    1. Hammond, Victoria, 'A century of Australian women artists 1840s – 1940s', 1993, p. 15

  • Exhibition history

    Shown in 4 exhibitions

  • Bibliography

    Referenced in 8 publications

Other works by Violet Teague

See more works