We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


The Seventh Seal



Gareth Sansom


1939 –

  • Details

    Media category
    Materials used
    oil and enamel on linen
    183.2 x 170.1 cm stretcher
    Signature & date

    Signed and dated upper c. verso on stretcher bar, black fibre-tipped pen "2013 Gareth Sansom".

    Contemporary Collection Benefactors 2014
    Not on display
    Accession number
    © Gareth Sansom/Copyright Agency

    Reproduction requests

    Artist information
    Gareth Sansom

    Works in the collection


  • About

    Gareth Sansom (1939 - ) is an eclectic senior figure in Australian art. His paintings and drawings present disparate ideas, visual references and techniques consumed from popular culture, religion, art history, literature, cinema, and experiences of the everyday. Sansom often takes breaks whilst working at night in his inner city studio to watch films, the content of which have begun to feed into the themes and imagery of his artworks. This eccentric practice is sometimes referenced in the their titles, for example 'Bill and Ted's Excellent Adventure' 2010, 'Revenge of the Nerds' 2010, 'Contempt (Luc Goddard)' 2012 and 'Psycho' 2013.

    Sansom's 'The Seventh Seal' 2013 takes its title from Ingmar Bergman's iconic film of the same name. In The Seventh Seal (1957) a knight returns from the Crusades to discover his home of Sweden ravaged by the plague. He challenges the personification of death to a game of chess as a means of prolonging his life and searching for meaning. The artist first watched it at the Savoy cinema in Melbourne 1962, with fellow RMIT art students Robert Jacks and George Baldessin. The Seventh Seal (1957) had a profound effect on the young Sansom who had recently lost his father to a heart attack, and he has purported to have seen the film numerous times since.

    'The Seventh Seal' 2013 features a stylistic mishmash of hard edge forms juxtaposed with flat fields of colour, and expressive and figurative gothic motifs. Centre right one can see the silhouette of Death with scythe, tombstones and crows. Below an infinity symbol has been included. The lurid orange background is presumably a nod to the 1940s works of one of Sansom's heroes, Francis Bacon. In nostalgically reconciling existential influences such as Bergman and Bacon Sansom irreverently mulls over of life, death, and conviction.

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Gareth Sansom

See all 11 works