We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Up the orchard

1946

Artist

John Passmore

Australia

04 Feb 1904 - 09 Oct 1984

  • Details

    Date
    1946
    Media category
    Painting
    Materials used
    oil on canvas
    Dimensions
    51.2 x 61.5 cm stretcher; 67.8 x 78.1 x 5.0 cm frame
    Signature & date

    Signed l.r. corner, red oil "JP 46".

    Credit
    Bequest of Lucy Swanton 1982
    Location
    Not on display
    Accession number
    187.1982
    Copyright
    © John Passmore Museum of Art

    Reproduction requests

    Artist information
    John Passmore

    Works in the collection

    36

    Share
  • About

    Passmore's early work in England was greatly influenced by the paintings of Cézanne, which he would have seen in various public collections in London, and in books that he purchased, as quoted by Robert Hughes in 1966:
    "I learnt the significance of what was being done in painting in France. Influenced first by ideas of Picasso, and later by Cézanne which could be endless but for one eye being forced towards the greater creative forces felt in work of Tintoretto and Rembrandt - conflicto necessario."

    In early 1940, working from a cottage in Suffolk belonging to his art director at Lintas, Reg Jenkins, Passmore absorbed Cézanne's theories and began to paint landscapes near the house and invent compositions of nude bathers reminiscent of works by the French master. 'Up the orchard' is actually a view of the long back garden. Passmore recounted this period in 1984:
    "Gooseberry Cottage was half-way between Constable's country, which was in Dedham Vale to the north-east, and Gainsborough's country which was in the opposite direction. It was a rural thing you see. But the character of Cézanne wasn't a rural thing ... the character of Cézanne was one of learning to paint ... There's two things about Cézanne - you can imitate him as much as you like and you can fall flat on your face ... what you have to do is study him as deeply as he studied himself."

    Australian Art Department, AGNSW, 2000

  • Exhibition history

    Shown in 4 exhibitions

  • Bibliography

    Referenced in 2 publications

Other works by John Passmore

See more works