We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Self portrait



Roland Wakelin

New Zealand, Australia

1887 – 1971

Artist profile

  • Details

    Media category
    Materials used
    oil on paperboard
    26.7 x 25.4 cm board; 42.2 x 40.5 x 2.5 cm frame
    Signature & date

    Signed and dated l.l. corner, pen and black ink "R.S. WAKELIN 1920".

    Edward Stinson Bequest Fund 2006
    Not on display
    Accession number
    © Roland Wakelin Estate

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    Artist information
    Roland Wakelin

    Artist profile

    Works in the collection


  • About

    The period between 1919 and 1923 represents Roland Wakelin's moment of genius. During the space of five years he embarked, through a series of tiny paintings, on his now-famous colour-music or synaesthesia experiments with Roy de Maistre, absorbed the sudden tonalist impact of Max Meldrum who visited Sydney in 1920, and in 1923 left for Europe to sort out these two diametrically opposed influences on the direction of his vision.

    There are several self portraits by Wakelin of this period, including one of 1923 in the Art Gallery of New South Wales collection, but this work, painted in 1920, was of singular significance to the artist because it is the very first evidence of Meldrum's influence on him. Geometric disposition of shapes, cut-off relationship to the edges, and broad simplified brushwork contain all the sensibility of Wakelin's beautiful small landscape compositions of the previous year, but it is as if colour has been quite suddenly eliminated at the touch of a switch. This little self portrait remains compositionally the conception of a true modernist.

    © Australian Art Department, Art Gallery of New South Wales, 2006

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 6 publications

Other works by Roland Wakelin

See all 55 works