We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Circular closed and open weave, fringed mat





No image
  • Details

    Place where the work was made
    Central Arnhem Land Northern Territory Australia
    Media category
    Materials used
    woven pandanus spiralis leaves, natural dyes
    weave 77.5 cm radius; 220.0 cm radius including fringe (irreg.)
    Signature & date

    Not signed. Not dated.

    Mollie Gowing Acquisition fund for Contemporary Aboriginal art 1997
    Not on display
    Accession number
    Artist information

    Works in the collection


  • About

    by Djon Mundine

    'I used to see these two; Ngarrit'thun and Djutarra, at Elcho and at Milingimbi - we're always been good friends' - Julie DJULIBING, interview with the author, Ramingining, 1990

    The Milingimbi-Ramingining area is famous for its woven pandanus mats, bags, baskets and other items, and many widely acclaimed exhibitions and collections have emanated from these communities, which, over time, have come to engage the minds and imaginations of the public. In the post-war period across eastern Arnhem Land a peer generation of women has created an outstanding variety of fibre forms. In Galiwin'ku, Gapuwiyak and Yirrkala, during World War II, school, work, marraige and child-rearing, the lives and friendships of these women have twined and untwined. They moved between making nimble and delicate fibrework, domestic work in kitchens and bakeries, and the strenuous labour of brush clearing for farming, cattle mustering and road work. They rarely attended displays of their work or travelled outside the Territory until the 1980s, when a number of exhibitions prominently featured fibrework alongside painting and sculpture.

    In the 1990s, as the elitist distinction between art and craft has been blurred, so a re-evaluation of indigenous woven items has begun to take place within Australia. Fragile fibre objects such as these can be either utilitarian artefact or sacred object depending on the context. In indigenous religious beliefs, the first creative beings carried children and sacred life-giving objects in special versions of bags like these when they created the world. It is said that the first body designs came from patterns left by the fibres on the bodies of the children. Today exhibited as 'art objects' rather than 'trophies', these fibreworks now provide new ways of seeing and enjoyment.

    from 'Australian Perspecta 1997: between art & nature', AGNSW, 1997

    © AGNSW 1997

  • Places

    Where the work was made

    Central Arnhem Land

  • Exhibition history

    Shown in 1 exhibition

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