Landscape with villagers and laundresses
1667 - 1749
Magnasco was born in Genoa but moved to Milan around 1681 where he trained with Filippo Abbiati. He began as a painter of eccentric genre scenes and also collaborated with other painters, including the landscapist Antonio Francesco Peruzzini, by adding small figures into their landscapes and architectural views. From the 1720s Magnasco began to create landscape and architectural settings which provided the background for his own figures. Working for the court of Ferdinand de’ Medici in Florence, c1703–09, Magnasco began to develop a novel repertoire of themes based on Dutch ‘low-life’ genre painting with a marked taste for the grotesque. Returning to Milan he was patronised by the local aristocracy and completed a series of canvases illustrating the interior worlds of monasteries and convents, many of which suggest an ambiguous attitude towards the church. The last period of Magnasco’s career, from 1735, was spent in Genoa. Magnasco painted in a highly personal style, notable for its vigorous, fragmented brushwork and its dark, sometimes menacing mood. His unique treatment of uncommon and often disquieting subject matter is suggestive of larger tensions within the society and culture of the day. Magnasco was highly successful during his lifetime but was forgotten during the 19th century. His work was rediscovered in the early years of the 20th century by the German art historian Benno Geiger, who compiled the first catalogue raisonné.
Peasants at work in a extensive river landscape
oil on canvas
73.0 x 96.5 cm canvas; 93.0 x 116.0 x 1.1 cm frame
Signature & date
Not signed. Not dated.
Gift of Kenneth Reed 2019. Donated through the Australian Government's Cultural Gifts Program
Shown in 1 exhibition
The Magnasco Society. Loan exhibition of pictures of the XVII & XVIII centuries, Agnew's, London, London, Oct 1925–Nov 1925
Sir Herbert Cook, pre Oct 1925-1939, Esher/Richmond/Surrey/England, Acquired by Sir Herbert Cook, Copseham, Esher, by 1925 (see Exhibitions). Transferred to Doughty House, Richmond, between 1920 when Cook inherited and 1932 (see Literature) to hang with the remainder of the Cook collection; by descent to his son Sir Francis Cook, 4th Baronet (1907–78).
Sir Francis Cook, 1939-1978, Richmond/Surrey/England, By marriage to his wife Lady Brenda Cook. The painting was on loan to the Manchester Art Gallery from 1964–82.
Brenda, Lady Cook, 1978-06 Jul 1984, Richmond/Surrey/England, Lady Brenda Cook was Sir Francis Cook, 4th Bt's widow. Sold by the Doughty House Trust, Christie's London, 6 July 1984, lot 114, for ₤12.960.
The Woollahra Trading Company Ltd, post 06 Jul 1984-30 Mar 2007, London/England, Acquired from them by Kenneth Reed 30 March 2007, for ₤120,000 [AUD289,000 then].
Referenced in 8 publications
Jill Sykes, Look, '"New" old masters: an enriching gift for the Gallery's collection', Sydney, Nov 2010, pp 18–19: p 19.
The Magnasco Society. Catalogue of a loan exhibition of pictures of the XVII & XVIII centuries, London, 1925, p 7, no 2. As 'Landscape with figures', lent by Sir Herbert Cook, Bart.
Pittori minori Liguri, Lombardi, Piemontesi del seicento e del settecento, Venice, 1931, p 126. As 'Paesaggio' from Richmond, Coll Cook.
Abridged catalogue of the pictures at Doughty House, Richmond, Surrey in the collection of Sir Herbert Cook Bart, 1932, p 33, no 554. 'From Esher'.
Saggio d’un catalogo delle pitture di Alessandro Magnasco 1667-1749: regesti e bibliografia, Venice, 1945?, p 61. As 'Paesaggio'.
Magnasco, Bergamo, 1949, p 131, illus pl no 74. As 'Paesaggio con villici e lavandaie'.
Important old master pictures, London, 06 Jul 1984, p 195, no 114, col illus p 194. As 'An extensive wooded river landscape with washerwomen and peasants in the foreground'. The Property of the Trustees of The Doughty House Trust.
Alessandro Magnasco, Ravenna, 1994, p 323, no R389. Figures not by Magnasco?