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A shipwreck off a rocky coast



Philippe Jacques de Loutherbourg

France, England

31 Oct 1740 - 11 Mar 1812


De Loutherbourg was born in Strasbourg, but moved with his family to Paris in 1755. He exhibited at the Paris salon from 1762. His works were mainly either landscapes inspired by Dutch 17th-century prototypes or romanticised shipwrecks which continue the tradition of Claude-Joseph Vernet (1714-1789). He also painted pictures of bandits recalling the style of Salvator Rosa.

He moved to London in November 1771 where he worked as a stage designer at the Drury Lane theatre for David Garrick and subsequently for Richard Brinsley Sheridan. He is recognised as the most inventive and influential stage designer active Europe during the eighteenth century.

He continued to paint landscapes in England, his work tending to become more topographical. He subsequently turned to Biblical subjects where his sense of the dramatic find expression in scenes of terrfiying chaos, works which 'made a profound impression on J.M.W. Turner and John Martin'.




Media category


Materials used

oil on canvas


81.5 x 125.2 cm original canvas; 82.7 x 126.0 cm stretcher; 105.5 x 148.5 x 11.5 cm frame

Signature & date

Signed and dated l.r., brown paint "J P [de]e L fec / 17[5?][?]".


Purchased with funds provided by the Art Gallery Society of New South Wales 2002


Not on display

Accession number


Artist information

Philippe Jacques de Loutherbourg

Works in the collection


Shown in 1 exhibition

Exhibition history

  • The Tempest, Tasmanian Museum and Art Gallery, Hobart, 10 Jun 2016–26 Nov 2016

The provenance of this work is under review and records will be updated as new details become available. The Gallery welcomes any information. Contact


Helbing, Munich/Germany, 19 February 1913, lot 95

Private Collection, Germany, dates unknown

Agnew's, London, London/England, Purchased by the AGNSW from Agnew's 2002

Referenced in 5 publications


Richard Beresford', Look: 1953-2003 celebrating 50 years, 'Transformation: Society's gifts of enriching art from Europe help collection turnaround', Sydney, May 2003, pp 45–47: p 47.

Richard Beresford, Look, 'Major European work: Art Gallery Society's gift by an artist of genius', Sydney, Jun 2002, p 16, col illus p 16.

Connell Nisbet, Look, 'Acquisitive minds', Sydney, Dec 2003-Jan 2004, pp 23–27: col illus p 25.

Judith White, art lovers: the story of the Art Gallery Society of New South Wales 1953-2013, Sydney, 2013, p 285, col illus p 285. 'Acquisitions funded by the Art Gallery Society 1953–2013', pp 192–314.

Unknown, Art Gallery of New South Wales Annual Report 2002, Sydney, 2002, pp 11, 24, 62, col illus p 12.