We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Guanyin, bodhisattva of compassion

1279-1368

Artists

Unknown Artist

Alternate image of Guanyin, bodhisattva of compassion by
Alternate image of Guanyin, bodhisattva of compassion by
Alternate image of Guanyin, bodhisattva of compassion by
Alternate image of Guanyin, bodhisattva of compassion by
  • Details

    Other Title
    Seated Bodhisattva
    Place where the work was made
    China
    Period
    Yuan dynasty 1279 - 1368 → China
    Date
    1279-1368
    Media category
    Sculpture
    Materials used
    bronze, gold leaf
    Dimensions
    28.0 x 17.5 x 11.0 cm; 32.3 x 17.8 x 12.5 cm object with stand
    Signature & date

    Not signed. Not dated.

    Credit
    Edward and Goldie Sternberg Chinese art purchase fund 2002
    Location
    Not on display
    Accession number
    104.2002
    Copyright

    Reproduction requests

    Share
  • About

    The Bodhisattva in gilt bronze is seated in the position of royal ease, with the left leg pendant and foot resting on a spiky double-petalled lotus; while his right foot is placed on a textured mat. The right arm of the figure rests on the right knee, and the slender fingers of the left hand are placed lightly on the trailing scarf; each wrist is enriched by a bracelet. The Bodhisattva's plump oval face is sweetly expressive with the small mouth set in a faint smile. The arched eyebrows, which lead to the narrow bridge of the aquiline nose, frame the downcast, heavy-lidded eyes. The neatly coiffed hair is secured above the forehead with a diadem and parts at the back into two tresses, each falling in three curling strands down the shoulder. The Bodhisattva wears an elaborate necklace descending in two double loops down the bare torso while bud-shaped tassels emerge from a central rosette. The underskirt is finely incised with a border of floral scrolls and falls in folds down the lower leg. A knee-length overskirt, edged with a narrow band of flower-heads, is pulled up high on the small of the back, and falls open at the front; and another short garment is folded over the studded belt falling in folds between the legs. The shoulders are draped with a wide shawl, which is threaded through the arms and curves to the feet where it terminates in flame-like points. The gilding has an attractive reddish-gold tone with extensive traces of red pigment.

    Gilt bronze Bodhisattvas in this position of "royal ease" (presumably originally resting on a rockwork base in gilt bronze, or in another material) are generally referred to as the "Water and moon" Guanyin, or the "Southern Sea" Guanyin, seated as if on the rocky shore of Mount Potalaka. It appears that the image of the Water and Moon Guanyin is mentioned in painting records dating to the 8th-9th centuries, and it is possible that such paintings, which no longer survive, served as prototypes for sculptors. The earliest extant painting examples appear to be 10th century banners from Dunhuang. According to some scholars, the use of the "moon in water" metaphor for the transitory and unsubstantial nature of the world was common in Buddhist scriptures but there is no scriptural basis for linking Guanyin with these metaphors ('Latter Days of Law: Images of Chinese Buddhism' 850-1850, ed., by Marsha Weidner, Kansas, 1994, pg. 156-60). These transformations appear to have been a result of artistic innovation, or, more likely, based on sources outside Buddhism, whether from within or outside the Chinese tradition (cf. Derek Gillman, 'A New Image in Chinese Buddhist Sculpture of the 10th to 13th century', transactions of the Oriental Ceramic Society, London, 1982-83, pg. 33-44).

    Asian Art Dept., AGNSW, April 2002

  • Places

    Where the work was made

    China

  • Exhibition history

    Shown in 6 exhibitions

  • Bibliography

    Referenced in 10 publications

  • Provenance

    John Sparks Ltd., pre 1990s, London/England

    Private Collection, pre 18 Mar 2002, London/England, purchased from John Sparks Ltd.

    Eskenazi Ltd Oriental Art, 18 Mar 2002-Apr 2002, London/England, purchased from a private collection in London through an agent. Exhibited in 'Chinese Buddhist sculpture from Northern Wei to Ming', New York, 18- 30 March 2002. Purchased by the Art Gallery of New South Wales, Sydney, Apr 2002.