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Collection

An image of Lany'tjung story no 3 by Munggurrawuy Yunupingu

Munggurrawuy Yunupingu

(Australia circa 1907 – 12 Apr 1979)

Language group
Gumatj, Arnhem region
Title
Lany'tjung story no 3
Other titles:
Laindjung myth no 3
Lany'tjung myth no 3
Place of origin
YirrkalaNorth-east Arnhem LandNorthern TerritoryAustralia
Year
1959
Media category
Bark painting
Materials used
natural pigments on bark
Dimensions

194.0 x 51.5 cm (irreg.)

Signature & date
Not signed. Not dated.
Credit
Gift of Dr Stuart Scougall 1959
Accession number
IA62.1959
Copyright
© Estate of Munggurrawuy Yunupingu. licensed by Viscopy, Sydney.
Location
Not on display
Further information

top right: Lowtide, to the south of Caledon Bay near, a hill where the sacred yellow ochre is found. The areas of yellow pigment depict sand and the cross-hatching in between shows patches of water. The bands of cross-hatching at either end of this panel represent sandbars.

upper right: Baru, the ancestral crocodile, at Caledon Bay is shown crawling over seaweed (the food of dugong and green turtle). The tide is in and Baru is under water.

lower right: Baru is in its special hole in the sea. The crocodile's head and tail rest on sand bars whilst the body floats over the hole.

bottom right: Depicts a large jungle of paperbarks and other trees used in sacred ceremonies between Caledon Bay and Trial Bay. The little white dots are embers left after a fire.

bottom left: The small red circles represent two fires made for a ceremony. After the ceremony other fires are lit and the flames run wild and cover the sacred site. The lower section represents fire inside the sacred 'shade' where sacred objects are kept, two of which are shown as well as two bones from a man who was burnt.

lower and upper left: The fire travels through the rest of the picture. The four sections in this panel are covered in cross-hatching representing bushland. As a boy Munggurrawuy was in this locality and lost a pair of scissors in the grass. The incident has now been incorporated in this representation of the sacred ancestral stories.

top left: A group of Gumatj people were camping and were caught by the fire. The three figures represent the group and their bones are also shown lying in the fire. Two women discovered the bones and told their story to other hunters who came and saw the catastrophe.

The background cross-hatching represents such aspects of the environment as sandbars, seaweed, hot ashes, bushland, grass, etc.

© Information provided by the artist

Australian Art Department, AGNSW, 2000

Exhibition history (3)

Gamarada, Art Gallery of New South Wales, Sydney, 15 Nov 1996–16 Feb 1997

Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000

Country Culture Community (2008-09), Art Gallery of New South Wales, Sydney, 12 Nov 2008–19 Apr 2009