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Title

The Thunder Spirits (Birimbira)


Artist

Munggurrawuy Yunupingu

Australia

circa 1907 - 12 Apr 1979

Language group

Gumatj, Arnhem region


About

Biranybirany on Caledon Bay is the ancestral country for the three branches of the Gumatj clan, and is home to the major Gumatj totems: Baru (saltwater crocodile) and Gurtha (fire). It is also the homeland of the Yunupingu family. In 1959 – when Munggurawuy Yunupingu painted the Gumatj ancestral fire story on four large barks – he was ceremonial leader, custodian of knowledge and keeper of the law for the Gumatj clan of the Yirritja moiety in north-east Arnhem Land.

In 'The Thunder Spirits (Birimbira)', 1961, Munggurawuy shows the Gumatj ancestors as two black serpents shooting bolts of lightning. The ancestor, Yumbulbul, is depicted revelling in the rain from a thundercloud below, with its black centre outlined in yellow and containing wavy lines representing rain. The top section of the painting reveals the different species of marine creatures that emerge after the rain. The miny'tji surrounding the stingray and the crocodile symbolises the sea.

'Lany'tjung story (Crocodile and Bandicoot)', 1959, depicts the story of the ancestral fire that burnt across a huge swathe of eastern Arnhem Land, from Biranybirany to Melville Bay. During a ceremony near Caledon Bay, the fire on the ceremonial ground flared up, out of control, and raged northwards. Above this scene, Munggurawuy includes two images of Baru, making the association with the historical fire that caused the distinct markings on crocodiles' backs.

The patterns of diamond-shaped miny'tji (sacred clan designs) at the top left of the painting allude to Munggurrawuy's preoccupation with a missing canoe at the time he made this painting. By including this event with the ancestral story, he shows the relationship between the ancestral past and the present. Below this panel, Munggurawuy has painted a bandicoot running from one hollow log to another, showing that the bushfire has burnt itself out. The diamond shapes in this section represent flames and ashes, a swamp fire, leaves and grass aflame, sandbanks, a creek, footprints and seaweed, which are all depicted in different configurations of miny'tji.

Munggurrawuy assisted Birrikitji Gumana and Narritjin Maymuru in painting the Yirritja church panels now housed in the Buku-Larrngay Mulka Museum at Yirrkala. He painted Yirritja designs on a bark petition presented to Federal Parliament in 1963, which outlined Yolngu grievances over the intrusion of mining interests in Arnhem Land. Munggurrawuy's children particularly Gaymala, Galarrwuy and Mandawuy Yunupingu – have also distinguished themselves as Yolngu leaders in politics and the arts.

Ken Watson in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004

© Art Gallery of New South Wales


Details


Other Title

Birimbira (The thunder spirits)


Date

1961


Media category

Bark painting


Materials used

natural pigments on bark


Dimensions

150.2 x 60.4 cm (irreg.)


Signature & date

Not signed. Not dated.


Credit

Gift of Dr Stuart Scougall 1961


Location

Not on display


Accession number

IA19.1961


Artist information

Munggurrawuy Yunupingu

Artist profile

Works in the collection

16


Place

Where the work was made
Yirrkala

Shown in 6 exhibitions

Exhibition history


  • Purchases and Acquisitions for 1961, Art Gallery of New South Wales, Sydney, 04 Apr 1962–25 May 1962

  • Gamarada, Art Gallery of New South Wales, Sydney, 15 Nov 1996–16 Feb 1997

  • Bulada, Art Gallery of New South Wales, Sydney, 23 Aug 1997–14 Dec 1997


Referenced in 4 publications

Bibliography


Edmund Capon, Steven Miller, Tony Tuckson, James Scougall, Mollie Gowing, Harry Messel, Craig Brush, Ronald Fine, Alison Fine, Gordon Davies, Rosalind Davies, Christopher Hodges, Helen Eager, Rosemary Gow, Sandra Phillips, Daphne Wallace and Ken Watson, Gamarada, Sydney, 1996, 45 (colour illus.).

Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Aboriginal and Torres Strait Islander Art', pg. 208-241, Sydney, 1999, 217 (colour illus.).

Hetti Perkins, Art + soul: a journey into the world of Aboriginal art, 'Bitter + Sweet', pg. 174-239, Carlton, 2010, 234, 235 (colour illus.).

Ken Watson, Tradition today: Indigenous art in Australia, 'Munggurrawuy Yunupingu', pg. 180, Sydney, 2004, 180, 181 (colour illus.).