(Flanders 22 Mar 1599–09 Dec 1641)
29.6 x 24.1cm platemark/sheet
Morin trained as a painter but he chose to make printmaking his primary activity. His technique is characterised by the supple combination of engraving and etching which skilfully evokes textures and tonalities. Nothing is known of this sitter, although Morin's print is the only evidence left today of the painting that provided its model.
Peter Raissis, Le Grand Siècle 1997, Sydney, 1997. no catalogue numbers
Le Grand Siècle, Art Gallery of New South Wales, Sydney, 16 Jun 1997–17 Jul 1997
Old Europe: Prints & drawings from the collection 1500-1800, Art Gallery of New South Wales, Sydney, 03 Jun 2006–06 Aug 2006