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Title

Weetangera, Canberra

1937


Artist

Elioth Gruner

New Zealand, Australia

16 Dec 1882 - 17 Oct 1939


About

"His later landscape reveals a greater refinement of drawing, a more subtle engagement with the elements of Nature, upon which the mood of the artist is indelibly but delicately impressed."
Lionel Lindsay, 1938

'Weetangera, Canberra' was Gruner's seventh and last Wynne Prize award and also won the Society of Artists award for the best picture in their annual exhibition for 1937. Together with other works painted after his return from Europe in 1925, it follows a marked departure from the works of his earlier Emu Plains series (also on display) and shows his awareness of the concerns of modern painting.

Towards the end of his life, when this work was painted, Gruner told friends that the areas around Bellingen and Canberra had the greatest clarity of light, that quality that he had '... travelled the continent looking for'. In this painting of the Murrumbidgee River at Weetangera, Gruner has thinned his paint, allowing it to flow with and thereby emphasise the anatomy and pattern of the landscape.

Following his return to Australia in 1921, Gruner's increased interest in design was influenced by George Lambert, as well as the experience of making aerial sketches whilst flying with a friend in 1920. Whilst in England in 1924 - 25 he had been impressed by the opinions and works of various leading English and French artists, such as William Orpen, Gauguin and Cézanne. Norman Lindsay recalled some of Gruner's frequent maxims at this time: 'Paint can't be too thin. No picture should be bigger than two by three feet. Style is more important than subject. Paint should have a dry, pastel-like surface'.

In his will, Elioth Gruner provided for an annual 'Gruner Prize' competition for the best oil landscape painted by a student resident in New South Wales, which continues to the present day, providing a practical embodiment of his generosity towards his fellow artists.

Australian Art Department, Art Gallery of New South Wales, 1997

This painting won the Wynne Prize in 1937 and was acquired by the Gallery in 1937.


Details


Other Titles

The Murrumbidgee at Weetangra

Murrumbidgee at Weetangera


Date

1937


Media category

Painting


Materials used

oil on canvas


Dimensions

63.8 x 76.5 cm stretcher; 88.0 x 100.9 x 6.0 cm frame


Signature & date

Signed and dated l.r. corner, brown oil "GRUNER/ 1937".


Credit

Purchased 1937


Accession number

6413


Wynne Prize

Winner - 1937


Artist information

Elioth Gruner

Works in the collection

25


Shown in 11 exhibitions

Exhibition history


Referenced in 21 publications

Bibliography


BJW, Elioth Gruner memorial loan exhibition, 'Elioth Gruner', pg. 1-3, Sydney, 1940, 2.

Helen Campbell., Wynne centenary 1897-1997: a selection of past winners from the Gallery's collection, 'Celebrating the Wynne Centenary 1897-1997', Sydney, 1997, (colour illus.). not paginated; no catalogue numbers

Edmund Capon (Director), Barry Pearce (Curator) and Dinah Dysart (Curator), The Wynne prize: an Australian landscape tradition, Sydney, 1986, 26.

Deboarh Clark, Elioth Gruner: the texture of light, 'Elioth Gruner: the texture of light', pg. 9-89, Canberra, 2014, 70, 71 (colour illus.), 97, 101.

Douglas Dundas, Art Gallery of New South Wales quarterly, 'The Wynne and Sulman prizes', pg. 53-56, Sydney, Jan 1961, 55 (illus.). titled 'The Murrumbidgee at Weetangra'

Lou Klepac, Parallel visions: works from the Australian collection, 'Hans Heysen / Elioth Gruner / Horace Trennery', pg. 32-47, Sydney, 2002, 44 (colour illus.), 45, 143, 147.

Lionel Lindsay, 150 years of Australian art, Sydney, 1938. cat.no. 103 [Gallery No. 2]

Lionel Lindsay, Art in Australia [series 3, no. 70], 'The exhibition of One Hundred and Fifty Years of Australian Art', pg. 14-21, Sydney, Mar 1938, 17 (colour illus.).

Robert Lindsay., Aspects of Australian Art: Art Gallery of New South Wales travelling art exhibition 1976, 'Elioth Gruner', Sydney, 1976, (illus.). cat.no. 22; not paginated; titled 'The Murrumbidgee at Weetangra' [sic]

Myra Morris, Australian landscape: painted by Australian artists, Sydney, 1944, front dustjacket (colour illus.).

New South Wales Society of Artists, Society of Artists annual exhibition, Sydney, 1937, (illus.). cat.no. 106; titled 'Landscape near Canberra', kindly lent by the National Art Gallery of NSW; caption for reproduction titled 'Murrumbidgee at Westangera [sic]'.

Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Earth, sky and paint', pg. 149-150, Sydney, 2000, 156 (colour illus.), 300.

Barry Pearce, Elioth Gruner 1882-1939, Sydney, 1983, 29, 56 (colour illus.), 57. cat.no. 73

Barry Pearce, A century of Australian landscape: mood and moment, Sydney, 1983, 16, 75 (colour illus.). cat.no. 53

Bernard William Smith, A catalogue of Australian oil paintings in the National Art Gallery of New South Wales 1875-1952, Sydney, 1953, 83-84. cat.no. 239, titled 'The Murrumbidgee at Weetangra'

Sydney Ure Smith (Editor), Present day art in Australia, Sydney, 1949, 37 (colour illus.).

Sydney Ure Smith (Editor), Art of Australia 1788-1941, New York, 1941, 39. cat.no. 76. Titled 'Weetangra [sic], Canberra'.

Editor Unknown (Editor), The Sydney morning herald, 'Archibald Prize winner. Normand H. Baker. Wynne Prize to Gruner', Sydney, 25 Feb 1938. Review of the Archibald and Wynne Prizes for 1937.

Unknown (Editor), Sun, 'Landscape prize', pg. 2, Sydney, 25 Feb 1938, 2.

Editor Unknown (Editor), Bulletin, 'Sunday shows. Archibald and Wynne prizes', pg. 38, Sydney, 02 Mar 1938, 38.

Editor Unknown (Editor), The Home annual: Australian life and scenery, Sydney, Oct 1938, 14 (colour illus.).