(France 26 Apr 1798 – 13 Aug 1863)
32.5 x 46.2 cm image; 42.5 x 53.4 cm sheet (irreg.)
Delacroix never had the opportunity to observe lions and tigers in the wild. His superbly vivid renderings of big cats are based on careful studies of their anatomy and poses which he made at the various Paris zoos and menageries in the company of the animal sculptor, Antoine-Louis Barye. The large body of the reposing tiger in this print echoes the shapes of the distant mountains.
Roger Benjamin, Ursula Prunster, Lynne Thornton and Mounira Khemir, Orientalism - Delacroix to Klee, Sydney, 1997, 61 (colour illus.). cat.no. 6
Renée Free, Forest and field: from Claude to the Barbizon School, `French Romanticism', pg. 4, Sydney, 1995, 4, 7.
Renée Free, The Art Gallery of New South Wales Collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. 108-172, Sydney, 1994, 127 (colour illus.).
Peter Raissis, Look, 'Diverse, individual and imaginative', pg.24-27, Newtown, Jul 2009, 26 (illus.).
Forest and field: from Claude to the Barbizon School, Art Gallery of New South Wales, Sydney, 14 Jul 1995–17 Sep 1995
Orientalism - Delacroix to Klee: