Much of the active career of this Hobart-born sculptor was spent in London, where he lived and taught from the late 1940s until his death in 1977. Inspired by the work of Henry Moore, Richmond was a full-time assistant to him in 1949-50, continuing to count the revered English sculptor a mentor and friend. The carving techniques of his compatriots Ola Cohn and Lyndon Dadswell were of early significance to Richmond, their monumental effects giving way in his work to more attenuated forms. Richmond produced a sequence of standing figures in bronze, a material that suited his increasing interest in the scarification and corrosion of sculptural surface as a metaphor for inner states. Sentinel epitomises these stark, aggrieved, yet rigidly armoured personages. Though the reductionism of Giacometti is operative, Richmond's own excavatory strategies and emotional defensiveness dominate.
Art Gallery Handbook 1999
147.5 x 29.0 x 24.0 cm
Signature & date
Signed inside base, incised "OR ...".
Not on display
© Oliffe Richmond Estate
Where the work was made
Shown in 6 exhibitions
Oliffe Richmond (1962), Molton Gallery, London, 12 Sep 1962–29 Sep 1962
Australian painting and sculpture in Europe today (1963):
Oliffe Richmond, Recent Sculpture (1967):
Acquisitions 1967, Art Gallery of New South Wales, Sydney, 06 Mar 1968–01 Apr 1968
Oliffe Richmond (1968), David Jones' Art Gallery, Sydney, Sydney, 17 Jun 1968–06 Jul 1968
25th Anniversary Exhibition of the Society of Sculptors and Associates (1976), Sculptors Society at the Sculpture Centre, Australia, 21 Sep 1976–09 Oct 1976
Referenced in 10 publications
Arts Centre New Metropole, Zeitgenössische Malerei und Skulpturen australischer Künstler in Europa, England, 1963, (illus.). cat.no. 45; bronze; not paginated
Arts Centre New Metropole, Australian painting and sculpture in Europe today, England, 1963, (illus.). cat.no. 45; bronze; not paginated
Deborah Edwards, Australian art: in the Art Gallery of New South Wales, 'Mosaic and figure', pg. 213-214, Sydney, 2000, 223 (colour illus.), 302.
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 164 (colour illus.).
Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 74 (colour illus.).
Ken Scarlett, Australian Sculptors, 'Oliffe Richmond', pg. 560-63, Melbourne, 1980, 561 (illus.).
Editor Unknown (Editor), 1967 Acquisitions, Sydney, 1967, 41. cat.no. 54
Editor Unknown (Editor), The Canberra times, Ainslie, 08 Jun 1967, page unknown.
Editor Unknown (Editor), Bulletin, Sydney, 17 Jun 1967, page unknown.
Editor Unknown (Editor), Sun-Herald, Sydney, 11 Jun 1967, page unknown.