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Collection

An image of Dame Mary Gilmore by William Dobell

William Dobell

(Australia, England 24 Sep 1899 – 13 May 1970)

Title
Dame Mary Gilmore
Year
1957
Media category
Painting
Materials used
oil on hardboard
Dimensions

90.2 x 73.7 cm board; 105.1 x 88.6 x 6.5 cm frame

Signature & date
Signed l.r. corner, orange oil "DOBELL". Not dated.
Credit
Gift of Dame Mary Gilmore 1960
Accession number
OA28.1960
Copyright
© Courtesy Sir William Dobell Art Foundation.
Location
Not on display
Further information

"I want to say how proud I am that you want to make a sketch of me. You are the only painter we have, perhaps the only one we ever had, whose work has its ghosts behind it ..."
- Dame Mary Gilmore 1943

"The painting is far more important than the sitter. This painting will still be carrying my identity when my own work is forgotten."
- Dame Mary Gilmore 1957

Dame Mary Gilmore (1865-1962) was a distinguished humanitarian, poet, left-wing political activist and social reformer, who became part of a network of writers and artists, including Dobell, who lived in Kings Cross, Sydney following the war. This portrait, typically developed through many sketches and studies, is perhaps the most profound of his many commissioned portraits during the last years of his life.

Australian Art Department, Art Gallery of New South Wales, 2000

This work was a finalist in the 1957 Archibald Prize and was acquired by the Gallery in 1960.

Bibliography (37)

Tony Bonyhady, The Australian's Review of Books, 'With heads held high', pg. 14-16, Surry Hills, Jun 1999, 15 (colour illus.).

Kym Bonython, Ross K Luck, Laurie Thomas and Elwyn Lynn, Modern Australian painting, 1950/1975, Adelaide, 1980, frontispiece (colour illus.).

Edmund Capon and Jan Meek (Editors), Portrait of a gallery, 'Australian 20th Century Art', pg. 71-89, Sydney, 1984, 77 (colour illus.), 76.

Yve Close, Joshua Smith: artist 1905-1995, 'Art works and anecdotes', pg. 71-88, New South Wales, 1998, 83.

Rebecca Corbell, The Possibilities of Portraiture, "Introduction", pg. 5-6, Canberra, 1999, 7 (colour illus.).

Our Art Critic., The Sydney Morning Herald, 'The Archibald, Wynne and Sulman Art Prizes', Sydney, 12 Dec 1957, page unknown. Archibald Prize review.

the "Mirror" art critic'., Daily Mirror, 'Painters and paintings, Sydney, 12 Dec 1957, page unknown. Archibald Prize review.

Prue Davidson, William Dobell - the painter's progress, 'The later years', pg. 110-133, Sydney, 1997, 74, 110, 114, 115 (colour illus.), 144. cat.no. 39a

Elizabeth Donaldson, William Dobell: an artist's life, 'Life at Wangi', pg. 127-172, New South Wales, 2010, 66, 69, 132, 133 (colour illus.), 134 (illus.), 135, 195 (colour illus.). NOTE: Photograph on page 34 has Dame Mary Gilmore standing infront of Dobell's portrait.

Elizabeth Donaldson and Robert Donaldson, William Dobell: his life, art and home, 'Life at Wangi', pg. 75-97, New South Wales, 2011, 77, 78 (illus., detail), 79, 94 (colour illus.), 134. NOTE: Photograph on page 78 has Dame Mary Gilmore standing infront of Dobell's portrait.

Geoffrey Dutton., Bulletin, 'Artbursts: Archibald and Wynne', Sydney, 18 Dec 1957, page unknown. Archibald Prize review.

Mary Eagle, A tribute to William Dobell, 'The strength of life', pg. 10-41, Canberra, 1999, 14, 17.

Julian Faigan, Uncommon Australians: towards an Australian portrait gallery, Sydney, 1992, 95 (colour illus.).

James Gleeson., Sun, 'Art's "anemia": Prize "not to best portrait"', Sydney, 12 Dec 1957, page unknown. Archibald Prize review.

James Gleeson, The drawings of William Dobell in the Australian National Gallery, 'The draughtsman as artist', pg. 6-17, Canberra, 1992, 10, 13.

Anne Gray, Face: Australian portraits 1880-1960, 'Face: Australian portraits 1880-1960', pg. 15-41, Canberra, 2010, 20, 21 (colour illus.).

Peter Haynes (Compilator), Famous people: a selective who's who from works in the Art Gallery of New South Wales, Sydney, 1981, 6 (illus.).

Geoff Hocking, Currency lads & lasses: behind the faces on Australian banknotes, 'Dame Mary Gilmore', pg. 188-193, South Melbourne, 2004, 192 (colour illus.).

Shireen Huda, Pedigree and panache: a history of the art auction in Australia, 'Chapter 4. Australian Art at auction: the 1960s market', pg. 55-77, Canberra, 2008, 62.

John Kelly, Art Monthly Australia, 'William Dobell: An artist's life', pg. 44-45, Acton, Nov 2010, 45 (colour illus.). Review of Elizabeth Donaldson book on Dobell.

Joan Kerr, A singular voice: essays on Australian art and architecture, 'The possibilities of a National Portrait Gallery, 1999', pg. 75-81, Sydney, 2009, 77 (illus.).

Joan Kerr, Art Monthly Australia, 'The possibilities of a National Portrait gallery', pg. 2-8, Acton, Apr 1999, 7 (illus.), 8.

Catherine Magree (Editor), Australian readers: discovering democracy, 'Family comes first', pg. 56, Carlton South, 2002, 57 (colour illus.). Upper Secondary school text book. Includes the poem 'Nationality' by Dame Mary Gilmore.

Ewen McDonald (Editor), The Art Gallery of New South Wales Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 48, 49 (colour illus.).

Hal Missingham, William Dobell, Brisbane, 1959. cat.no. 64; Late Inclusions: The portrait was commissioned by the Australian Book Society on the occasion of Dame Mary's 90th birthday, 16/8/55. It is kindly lent by the Society

Hal Missingham, Art Gallery of New South Wales Quarterly, 'Acquisitions for 1960', pg. 58-67, Sydney, Apr 1961, 58, 60 (illus.), 61.

New South Wales Department of School Education, Touchdown School Magazine, Sydney, Jul 1994, (illus.).

Desmond O'Shaughnessy, Art and medicine: reminiscences & reflections of a retiring surgeon, 'Postlude', pg. 79-87, Melbourne, 1999, 87.

Barry Pearce and Patrick McCaughey, Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara Series, Tokyo, 1985, 31 (colour illus.). cat.no. 14

Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 26, 27 (illus.).

Robert Raymond, 52 views of Rudy Komon, Sydney, 1999, 46 (illus.). NOTE: There is a black and white photograph of Rudy Komon and Dame Mary Gilmore infront of this painting.

Peter Ross, Let's face it: the history of the Archibald Prize, 'The Postwar Years', pg. 40-62, Sydney, 1999, 51 (colour illus.).

William Splatt and Barbara Burton, 100 masterpieces of Australian painting, Adelaide, 1973, 178, 179 (colour illus.). plate no. 86

Laurie Thomas, Modern Australian painting and sculpture: a survey of Australian art from 1950-1960, Adelaide, 1960, 35 (colour illus.).

Judith White, Australian art collector, 'Yours sincerely: William Dobell', pg. 56-59, Sydney, Apr 2000-Jun 2000, 58 (colour illus.), 59.

Unknown (Editor), Sun, 'Hele wins again: this year's Archibald', Sydney, 11 Dec 1957, page unknown. Archibald Prize review.

Author Unknown, William Dobell: the painters progress, Sydney, 1997, (illus.).

Exhibition history (11)

The art of William Dobell (1959), Finney's Art Gallery, Brisbane, 11 Aug 1959–11 Sep 1959

Contemporary Australian art (1960), Charles Birks & Co., 14 Mar 1960 -

Purchases and Acquisitions for 1960, Art Gallery of New South Wales, Sydney, 22 Mar 1961–23 Apr 1961

William Dobell: Paintings from 1926 - 1964 (1964), Art Gallery of New South Wales, Sydney, 15 Jul 1964–30 Aug 1964

Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara series from the collection of CRA Limited, Tokyo Metropolitan Teien Art Museum, 04 Oct 1985–06 Nov 1985

Uncommon Australians: Towards an Australian Portrait Gallery:

William Dobell the painter's progress (1997-1998):

The possibilities of Portraiture, National Portrait Gallery [Old Parliament House], Canberra, 04 Mar 1999–20 Jun 1999

Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000

(Focus on William Dobell's 'Dame Mary Gilmore'), Queensland Art Gallery, South Brisbane, 17 Jun 2002–02 Oct 2002

Kings Cross - Bohemian Sydney, Elizabeth Bay House, Elizabeth Bay, 31 May 2003–21 Sep 2003