Charles Meryon
(France 1821–1868)
- Title
- The Notre-Dame pump, Paris
- Alternative title:
- La Pompe Notre-Dame, Paris
- Year
- 1852
- Media category
- Materials used
- etching
- Edition
- 6/9
- Dimensions
-
17.3 x 25.1cm platemark; 22.0 x 29.0cm sheet
- Signature & date
- Signed l.l.corner, [incised plate] "C.Meryon...". Dated l.r.corner, [incised plate] "1852".
- Credit
- Purchased 1963
- Accession number
- DO1.1963
- Location
- Not on display
- Bibliography (7)
-
Richard Schneiderman (Author), The catalogue raisonné of the prints of Charles Meryon, London, 1990, 52, 53 (illus.), 54 (illus.), 55 (illus.). cat.no. 26. Illustration on pg. 53 is the third state, illustration on pg. 54 is the fourth (inscribed) & the sixth states, illustrations on pg. 55 are the eighth and tenth states.
Renée Porter (Australia) (Author), Meryon, Bracquemond & the 19th Century Etching Renaissance, Domain, 1998.
1963 Acquisitions 1963, 1963, 54. cat.no. 115
Malcolm C Salaman (England, b.1855, d.1940) (Author), The Master: Charles Meryon, London, 1927, 5, illus.. plate no. 7
Geoffrey Holme (England, b.1887, d.1954) (Editor), The etchings of Charles Meryon, London, 1921, 15, illus.. plate no. 14
Hugh Stokes (Editor), The master etchers: Charles Meryon, London, illus.. plate no. 20
Nicholas Draffin (Australia, b.1943, d.1995) (Curator), The bitten image: European etchings from the collection, Domain, 1980, 11.
- Exhibition history (4)
-
Purchases and Acquisitions for 1963, Art Gallery of New South Wales, 04 Mar 1964–29 Mar 1964.
The Bitten Image: European etchings from the collection, Art Gallery of New South Wales, 19 Jul 1980–14 Sep 1980.
Meryon, Bracquemond & the 19th Century etching Renaissance, Art Gallery of New South Wales, 18 Jun 1998–02 Aug 1998.
Printmaking in the age of Romanticism, Art Gallery of New South Wales, 06 Aug 2009–25 Oct 2009.
