(Germany, Australia 11 Jul 1893–07 Jan 1965)
21.6 x 13.5cm blockmark; 33.6 x 21.0cm sheet
Ludwig Hirschfeld-Mack was born at Frankfurt-am-Main, Germany and arrived in Australia in September 1940 on board the Dunera, an internment ship with over 2,000 Italian and German deportees sent from England. The majority of the men on the ship were interned for up to two years in prison camps at Hay, then Orange in NSW and Tatura in Victoria.
Hirschfeld-Mack studied in Munich at the Wilhelm Debschitz school and art history at the University with Heinrich Wölfflin and Dr Burger. His studies were broken by his service in the First World War. Following the war he went to the Stuttgart Academy, and then was one of the first students to enrol at the newly established Weimar Bauhaus in 1919. He attended classes in the Printing Workshop under Lyonel Feininger and Carl Zaubitzer. He collaborated on a number of projects, including print portfolios, and made lithographs. While at the Bauhaus he experimented with colour theory, which he had first encountered while studying in Stuttgart with Adolph Hölzel at the Staatliche Akademie der Bildenden Künst, and made a series of 'Reflecting light compositions' that involved the projection of lights to form abstract compositions, accompanied by music. He left the Bauhaus in 1925. In 1936 he emigrated to England as he found it increasingly difficult to find work under the Nazi regime, but was interned in London in 1940 and sent to Australia. He spent nine months at Hay from September 1940 to May 1941, before being moved to Orange, then Tatura at the end of 1941; he was released in March 1942 to become art master at Geelong Grammar School, until his retirement in 1957.
While interned he made monotypes, watercolours and drawings based on his training at the Bauhaus, and he taught colour theory to other internees at Orange. It is likely that he introduced monotype techniques to others at Hay, based on the 'Dürchdruckzeichnung' method he developed with Paul Klee in 1921. He made a number of woodblock prints while at the camps, several of which are in the Gallery's collection, including a print closely related to this one, 'Merry Christmas' 1941, which was made as a Christmas card. A hand-coloured proof of 'Desolation, internment camp' is in the National Gallery of Australia.
Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998
John Buckley (Curator), Nocturne: images of night and darkness from colonial to contemporary 2002, Mornington, 2002, 14 (illus.), 27. no catalogue numbers
Roger Butler, Printed images by Australian artists 1885-1955, Canberra, 2007, 222 (colour illus.). Collection of National Gallery of Australia
Nicholas Draffin, Two masters of the Weimar Bauhaus: Lyonel Feininger, Ludwig Hirschfeld Mack 1974, 'Ludwig Hirschfeld Mack', pg. 39-44, Domain, 1974, 56 (illus.). cat.no. 62
Mary Eagle, Australian Modern Painting Between the Wars 1914-1939, 'War', pg. 8-21, Sydney, 1989, 21 (colour illus.). NOTE: This is NOT the AGNSW print but that from NGA in Canberra
Philippa Hawker'., Age 23 Apr 2002, 'Into the heart of darkness', Melbourne, 23 Apr 2002, page unknown. Review of exhibition 'Nocturne'.
Hendrik Kolenberg and Anne Ryan, Australian prints from the Gallery's collection 1998, Sydney, 1998, 76, 77 (illus.). cat.no. 64
Andrew Sayers, Sarah Engledow and Wally Caruana, Open air: portraits in the landscape 2008, Sydney, 2008, 52, 53 (colour illus.). Collection of National Gallery of Australia, Canberra.
Andrew Sayers, Australian art, 'Art, myth and society: the Australian avant-garde 1939-50', pg. 154-173, Oxford, 2001, 160 (illus.). plate no. 89
Gavin Wilson, The Big River show: Murrumbidgee Riverine 2002, Wagga Wagga, 2002, 19 (colour illus.), 23. NOTE: this print belongs to the National Gallery of Australia
Irena Zdanowicz, Masters of emotion 2007, Mornington, 2007, 53. cat.no. 81
Two masters of the Weimar Bauhaus: Lyonel Feininger, Ludwig Hirschfeld Mack:
Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999
Bauhaus and Expressionism: German prints and drawings from the Art Gallery of New South Wales, New England Regional Art Museum, Armidale, 04 Mar 2005–15 May 2005
Masters of emotion: exploring the emotions from the old masters to the present, Mornington Peninsula Regional Gallery, Mornington, 20 Apr 2007–24 Jun 2007
Home front: wartime Sydney 1939–45, Museum of Sydney, Sydney, 31 Mar 2012–09 Sep 2012