(Australia 23 Dec 1891 – 13 Sep 1951)
26.3 x 22.9 cm image; 30.3 x 27.7 cm sheet (irreg.)
The subject derives from a stay on the farm 'Woodenup' (owned by one of the artist's uncles) in the Kojunup region of Western Australia.
Helen Campbell, Colour, rhythm, design: wood & lino cuts of the 20s & 30s, 'Introduction', pg. 2, Sydney, 2010, 21 (colour illus.).
Stephen Coppel, Linocuts of the machine age: Claude Flight and the Grosvenor school, 'The Australians: Dorrit Black, Ethel Spowers and Eveline Syme', pg. 65-68, England, 1995, 162, 163 (illus.). cat.no. DB 41; NOTE: this is not the AGNSW impression.
Josef Lebovic, Masterpieces of Australian printmaking, Paddington, 1987, 12, 13 (colour illus.). cat.no. 8; titled 'Blackboys'; NOTE: this is not the AGNSW impression.
Tracey Lock-Weir., Dorrit Black: unseen forces, 'The modern medium: colour linocuts', Adelaide, 2014, 92, 160, 163 (colour illus.), 197, 205 (cat. entry). NOTE: this is not the AGNSW impression.
Ian North, The art of Dorrit Black, North Melbourne, 1979.
Australian Collection Focus: Colour, Rhythm, Design - wood & lino cuts of the 20s & 30s, Art Gallery of New South Wales, Sydney, 12 Mar 2010–11 Jul 2010