Skip to content

Collection

An image of Mimihs at Milmilngkan by John Mawurndjul

John Mawurndjul

(Australia 1952 – )

Language group
Kuninjku, Arnhem region
Title
Mimihs at Milmilngkan
Other titles:
Mimihs at Minmilgan
Mimih at Milmilngkan
Place of origin
Liverpool RiverWestern Arnhem LandNorthern TerritoryAustralia
Year
1989
Media category
Bark painting
Materials used
natural pigments on eucalyptus bark
Dimensions

249.0 x 95.0 cm

Signature & date
Not signed. Not dated.
Credit
Purchased 2002
Accession number
98.2002
Copyright
© John Mawurndjul. Licensed by Viscopy, Sydney
Location
Not on display
Further information

John Mawurndjul's painting 'Mimihs at Milmilngkan' 1989 is an outstanding example of the late 1980s Mawurndjul. During his painting career the artist has gradually moved from depicting familiar representations of such spiritual entities as Ngalyod the rainbow serpent and the mermaid-like female spirits or yawkyawks, to dazzling abstract patterning that completely covers the bark. These 'abstract' bark paintings represent body painting for the Mardayin ceremonies and relate to sites near his homeland at Mumeka. There is also a connection with the dazzling optical effects associated with the skin of the rainbow serpent.

Mawurndjul is arguably the finest bark painter working at the moment. He is particularly noted for his fine rarrk and the distinctive patterning that is displayed in the painting 'Untitled' 2000. Mawurndjul was tutored by his brother Jimmy Njiminjuma (b.1945) and uncle, Peter (Djakku) Marralwanga (c.1916-1987), both superb artists.

John Mawurndjul has had solo exhibitions at Gallery Gabrielle Pizzi in Melbourne since 1991. He regularly shows at Annandale Galleries in Sydney and his work is in many public and private collections in Australia and overseas. Mawurndjul has won several prizes including the 1999 Telstra Bark Painting Award at the National Aboriginal and Torres Strait Islander Art Award held by the Museums and Art Galleries of the Northern Territory.

© Australian Art Department, Art Gallery of New South Wales, 2002

Bibliography (4)

Art Gallery of New South Wales, Art Gallery of New South Wales Annual Report 2002, 'Year in review', pg. 8-25, Sydney, 2002, 8, 9 (colour illus.).

Guido Magnaguagno (Director) and Bernhard Lüthi (Curator), "rarrk" John Mawurndjul: journey through time in northern Australia, Basel, 2005, 104 (colour illus.), 227.

Hetti Perkins, Crossing country: the alchemy of western Arnhem Land art, Sydney, 2004, 75 (colour illus.), 226.

Luke Taylor, Between indigenous Australia and Europe: John Mawurndjul: art histories in context, 'Painted energy: John Mawurndjul and the negotiation of aesthetics in Kuninjku bark painting', pg. 31-45, Canberra, 2009, 39, 40 (illus.), 215 (illus.). titled 'Mimih at Milmilngkan'; figure 6 and figure 47

Exhibition history (3)

Crossing country: the alchemy of Western Arnhem Land art, Art Gallery of New South Wales, Sydney, 24 Sep 2004–12 Dec 2004

rarrk – John Mawurndjul: Zeitreise in Nordaustralien:

The Dreamers (2009-10), Art Gallery of New South Wales, Sydney, 09 May 2009–15 Aug 2010