(Italy, Australia, New Zealand 21 Feb 1860–24 Jun 1926)
23.2 x 31.4cm board; 33.6 x 41.5 x 2.0cm frame
Italian-born and trained, Girolamo Nerli brought the influence of the Macchiaioli plein-air group to Australian painters, including Conder, Streeton and Roberts. Like the French Impressionists, the Macchiaioli were concerned with the portrayal of light – but they were more interested in conveying a metaphysical intensity rather than light’s momentary effects.
This scene depicts Sandringham beach on Port Phillip Bay near Melbourne, and shows Nerli’s preference for rapidly sketched atmospheric effects in muted tones, with small contrasting touches of brightness. The figures strolling along the shore are important compositional accents to an otherwise sparingly delineated coastal landscape.
Art Gallery of New South Wales, Purchases and Acquisitions for 1958 National Art Gallery of N.S.W. 1958, Sydney, 1958, 12. cat.no. 20
Betty Currie, Girolamo Pieri Nerli (1863-1926) 1976, Melbourne, 1976, 18, 19, 30, 33, (illus.).
Michael Dunn, Nerli - An exhibition of paintings & drawings 1988, 'The art of Girolamo Nerli 1860-1926', pg. 11-24, Dunedin, 1988, 22, 23, 34, 114 (illus.), 115. cat.no. 38
Dr Ursula Hoff, Charles Conder, Melbourne, 1972, (illus.).
Alan McCulloch, The golden age of Australian painting - Impressionism and the Heidelberg school, Melbourne, 1969, 31 (illus.). cat.no. 30
Ron Radford., Ladies in Landscapes 1974, 'Ladies in Landscapes', Ballarat, 1974, (illus.). cat.no. 26; catalogue entry and sepia toned reproduction; not paginated
Linda Slutzkin, On the beach 1982, Sydney, 1982, 8 (illus.). cat.no. 3
Purchases and Acquisitions for 1958, Art Gallery of New South Wales, Sydney, 11 Feb 1959–08 Mar 1959
Ladies in Landscapes:
On the Beach, Art Gallery of New South Wales, Sydney, 08 Dec 1982–28 Dec 1982
Italian artists working in 19th century Australia (1993), S.H. Ervin Gallery, Sydney, 24 Sep 1993–21 Nov 1993
Plein-air painting in Europe 1780-1850, Art Gallery of New South Wales, Sydney, 04 Sep 2004–31 Oct 2004