A religious mendicant
late 18th century - late 19th century
For further details on this genre of painting refer to Mildred Archer, "Company Paintings" (1992), pg. 43-66. With the continued decline of India's ruling classes and a shift in the patronage of art, artists of the Mughal/Muslim courts migrated to the new centres of art patronised by the British. Thus the Persian inscription suggests the work of a Muslim artist. Stylistically these paintings conform to the Thanjavur style of Company school painting. (Refer to Chaitanya, 1994, "A History of Indian Painting: the Modern Period", pg.103).
From a series of paintings of castes and their occupations.
Asian Art Dept., AGNSW, 11 November, 1997.
An infidel religious mendicant
opaque watercolour with gold on paper
22.0 x 17.2 cm image; 28.2 x 22.8 cm sheet
Signature & date
Not signed. Not dated.
Gift of Mr George Sandwith 1957
Not on display
Shown in 3 exhibitions
Referenced in 1 publication
Jim Masselos, Divine and Courtly Life in Indian Painting, Sydney, 1991. cat.no. 8.1