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Self portrait



Nora Heysen


11 Jan 1911 - 30 Dec 2003


I painted that self-portrait in my father’s studio – on the walls were several Vermeer prints. I greatly admired Vermeer’s works and wanted to paint like him – perhaps Vermeer and my father were my biggest influences in those days …

Nora Heysen, 1970s

Nora Heysen’s self-portrait strongly articulates her identity and ambition as a young artist, independent of her famous artist-father Hans Heysen. Characteristic of her 1930s’ paintings, 'Self portrait' is powerfully composed with precise, strongly defined forms and earthy colours recalling European masters of the early Renaissance. After undertaking study in Europe, Heysen established herself as a distinguished portrait and still-life painter. In 1938 she won the Archibald Prize, the first woman to have done so.

From the Gallery Shop




Media category


Materials used

oil on canvas


76.2 x 61.2 cm stretcher; 96.2 x 81.0 x 5.0 cm frame

Signature & date

Signed and dated l.r. corner, red oil "NORA HEYSEN. 1932.".


Gift of Howard Hinton 1932

Accession number


Artist information

Nora Heysen

Works in the collection


Shown in 9 exhibitions

Exhibition history

Referenced in 21 publications


Michael Brand, Look, 'From the Gallery director', pg. 9, Sydney, Aug 2015, 9, 20 (colour illus.).

Janine Burke, Australian women artists 1840-1940, Collingwood, 1980, 110 (illus.), 168-169. plate no. 32

Ian Burn, National life and landscape - Australian painting 1900-1940, 'Reflections in private space', pg. 117-158 Chapter four, Sydney, 1990, 120, 121 (colour illus.). plate no. 87

Deborah Edwards, Australian art: in the Art Gallery of New South Wales, 'Classical allusions', pg. 135-136, Sydney, 2000, 135, 142 (colour illus.), 143, 300.

R.H. Goddard, Lionel Lindsay and C.B. Newling, A memorial volume to Howard Hinton patron of art, Sydney, 1951, 130 (illus.).

Jane Hylton, Nora Heysen: light and life, 'Natural talent and industry: Early years in Adelaide', pg. 12-21, Kent Town, 2009, 17, 18, 51 (colour illus.).

Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 142 (colour illus.).

Lou Klepac, Nora Heysen, Sydney, 1989, 9, 26 (colour illus.), 78.

Lou Klepac, National Library of Australia news, 'The Heysen legacy: the work of Nora Heysen', pg. 7-10, Canberra, Nov 2000, 22 (colour illus.).

Lou Klepac, Nora Heysen, 'Nora Heysen', pg. 1-6, Canberra, 2000, back cover (colour illus.), 18 (colour illus.), 50.

Lionel Lindsay, Howard Hinton memorial exhibition, 'Howard Hinton, OBE', pg. 2-3, Sydney, 1948, 18. 116

Rosemary Lloyd, Yearbook of comparative and general literature [Vol. 49, 2001], 'Objects in the mirror: gendering the still life', pg. 39-55, Bloomington, 2002, 46, 52 (illus.).

Alan McCulloch and Susan McCulloch, The Encyclopedia of Australian Art, St Leonards, 1994, 339 (illus.).

Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 43 (colour illus.).

Barry Pearce, Look, 'The Lowy, Gonski Gallery', pg. 37, Sydney, Dec 2005-Jan 2006, 37.

Ursula Prunster, Seeing is believing: the art in photography, 'The portrait and the photograph', Sydney, 1985. 21; not paginated

Sotheby's Australia, Sotheby's Sydney: Important Australian Art (31 August 2010), Melbourne, 2010, 52, 53 (colour illus.). RELATED WORK: 23; titled 'Self portrait' 1932, 76 x 64cm, private collection. This work is illustrated on page 53.

Catherine Speck (Editor), Heysen to Heysen: selected letters of Hans Heysen and Nora Heysen, 'Introduction', pg. 1-19, Canberra, 2011, 2, 329.

Jill Sykes (Editor), Look, Sydney, Oct 2007, 45 (colour illus.).

Jill Sykes (Editor), Look, Sydney, Nov 2009, 48 (colour illus.). members events section hightlighting forthcoming 'Nora Heysen: Light and Art', S.H. Ervin Gallery.

Alex Taylor, Perils of the studio: inside the artistic affairs of bohemian Melbourne, 'Surviving the interior', pg. 63-102, North Melbourne, 2007, 96, 100 (colour illus.). figure 87