(Australia 28 May 1890 – 21 Apr 1979)
61.0 x 75.9 cm board; 63.2 x 78.5 x 2.3 cm frame
Jill Skyes, Look, 'Grace Crowley: a relationship hidden in the archives', pg. 26-27, Newtown, Sep 2010, 26, 27. General reference, article relates to Dianne Ottley's 'Grace Crowley's Contribution to Australian Modernism and Geometric Abstraction'.
Grace Crowley's contribution to Australian modernism and geometric abstraction, 'Partnership in abstraction', pg. 105-130, Newcastle upon Tyne, 2010, 123 (illus.). figure 5.5
Natalie Wilson, Parallel visions: works from the Australian collection, 'Grace Crowley / Ralph Balson / Frank Hinder / Margel Hinder', pg. 88-103, Sydney, 2002, 92 (colour illus.), 142, 147.
Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. 174-195, Oxford, 2001, 176 (colour illus.). plate no. 98
Juliana Engberg (Curator), The Real Thing, Australia, 1997, 30 (colour illus.), 85.
Ross Mellick and Nick Waterlow, Spirit and place: Art in Australia 1861-1996, Sydney, Nov 1996, 146.
Ewen McDonald (Editor), The Art Gallery of New South Wales Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 47 (colour illus.).
Daniel Thomas (Curator), Project 4: Grace Crowley, Sydney, 1975. cat.no. 29
Herbert Badham, A gallery of Australian art, 'Introduction', pg. v-vii., Sydney, 1954, xi, (illus.). plate no. 62
Project 4 - Grace Crowley (1975), Art Gallery of New South Wales, Sydney, 10 May 1975–08 Jun 1975
Review: works by women from the permanent collection of the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 08 Mar 1995–04 Jun 1995
Spirit and place: art in Australia 1861-1996, Museum of Contemporary Art, Australia, 21 Nov 1996–31 Mar 1997
The Real Thing, Museum of Modern Art at Heide, Bulleen, 08 Dec 1997–22 Feb 1998
Hard Edge, Art Gallery of New South Wales, Sydney, 07 Aug 1999–24 Oct 1999
Parallel Visions: Twenty-two artists from the Australian collection, Art Gallery of New South Wales, Sydney, 22 Feb 2002–May 2003