(New Zealand, Australia 16 Dec 1882 – 17 Oct 1939)
101.6 x 123.2 cm stretcher; 131.5 x 152.5 x 12.0 cm frame:
0 - Whole; 100.5 x 121.8 cm; SIGHT DIMENSION
The sweeping mountainscapes of Gruner and Heysen of the 1920s were symbolic expressions of a pastoral utopia in which a purism of form - 'the simplification and reduction to essentials' - which evolved from the modernism of Europe, was adopted to suggest the spirit and essence of the landscape.
Gruner's work became more severe in form and outline during this period, emphasising subtle harmonies of tone and colour and creating a feeling of stability and permanence, in contrast to his previous explorations into the evanescence of light and colour.
"Form becomes of equal consideration with light, and his work is now more carefully organised, extremely simple, less immediate in direct emotional appeal, but infinitely more pictorial. Gruner has substituted the science of picture making for the science of painting light, preserving, however, that sense of light which made his earlier pictures remarkable ...".
Basil Burdett, 1929
Australian Art Department, AGNSW, 2001
This painting won the Wynne Prize in 1929 and was acquired by the Gallery in 1930.
Art Gallery of New South Wales, A selection of eighty-two reproductions mainly from the Australian collection and including examples from the British, French and Dutch [Art Gallery of New South Wales]., Sydney, 1959, (colour illus.). plate no. 29
Helen Campbell, Wynne centenary 1897-1997: a selection of past winners from the Gallery's collection, Sydney, 1997. not paginated
Dinah Dysart, The Wynne prize: an Australian landscape tradition, 'The public and critical response to the Wynne prize', pg. 15-22, Sydney, 1986, 18, 25.
Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. 8-14, Sydney, 1986, 32 (illus.). cat.no. 32
Gould Galleries Melbourne, Director's choice 2005: celebrating 25 years of Gould Galleries with an exhibition of 25 significant works, South Yarra, 2005. cat.no. 7; 'Study for "On the Murrumbidgee"', 1929, oil on canvas
Lou Klepac, Parallel visions: works from the Australian collection, 'Hans Heysen / Elioth Gruner / Horace Trennery', pg. 32-47, Sydney, 2002, 143.
Lionel Lindsay, 150 years of Australian art, Sydney, 1938, (illus.). cat.no. 38; not paginated
J. S. MacDonald., Australasian post, 'Gruner exhibition', Melbourne, 21 Jan 1933, unknown. Exhibition review
Humphrey McQueen, Hemisphere, 'Humbly anonymous', 36-41., Australian Capital Territory, Apr 1979, 41 (colour illus.).
William Moore, The story of Australian art from the earliest known art of the continent to the art of today (Vol. 1), Sydney, 1934, frontispiece (colour illus.).
National Art Gallery of New South Wales, Loan exhibition of the works of Elioth Gruner, Sydney, 1932. cat.no. 18
Barry Pearce, Elioth Gruner 1882-1939, Sydney, 1983, 52 (illus.). cat.no. 58
Barry Pearce and Haruo Arikawa, Two hundred years of Australian painting: nature, people and art in the southern continent, Tokyo, 1992, 123 (colour illus.). cat.no. 72
Julie Roberts, Art and Australia (Vol. 37, No. 2), 'Seeing the light', pg. 222-231, North Ryde, Dec 1999-Feb 2000, 229 (colour illus.), 230.
Bernard William Smith, Place, taste and tradition: a study of Australian art since 1788, 'The modern movement in Australia', pg.181-213, South Melbourne, 1979, 142 (illus.), 186. plate no. 52; titled 'The Murrumbidgee Ranges'
Bernard William Smith and Terry Smith, Australian painting 1788-1990, 'Leviticus 1913-32', pg. 167-204, South Melbourne, 1991, 188 (illus.). illus.no. 108
Bernard William Smith, A catalogue of Australian oil paintings in the National Art Gallery of New South Wales 1875-1952, Sydney, 1953, 83. cat.no. 238
Sotheby's Australia, Sotheby's Melbourne: important Australian art (24 & 25 August 2009), Melbourne, 2009, 15 (colour illus.). lot no. 6 is titled 'Study for 'On the Murrumbidgee''.
Beatrice Tildesley, Sydney mail, 'The Gruner exhibition at the National Art Gallery', pg. 17, Sydney, 28 Dec 1932, 17. Exhibition review
Gavin Wilson, The Big River show: Murrumbidgee Riverine, Wagga Wagga, 2002, 12, 13 (colour illus.), 82.
Editor Unknown (Editor), The Sydney morning herald, '"On the Murrumbidgee"', pg. 13, Sydney, 08 Mar 1930, 13 (illus.).
Editor Unknown (Editor), The Sydney morning herald, 'Elioth Gruner exhibition: memorial to a master', pg. 6, Sydney, 17 Apr 1940, 6.
Editor Unknown (Editor), Weekend advertiser, 'River of Wagga's dreams', pg. 24, Wagga Wagga, 12 Oct 2002-13 Oct 2002, 24.
Editor Unknown (Editor), The Sydney morning herald, 'Art Gallery's Gruner exhibition', pg. 12, Sydney, 20 Dec 1932, 12 (illus.). Photograph depicts artist and former gallery director, J S MacDonald, advising two installation staff on the hanging of this painting
The Wynne Art Prize 1929, Art Gallery of New South Wales, Sydney, 17 Jan 1930–17 Feb 1930
Loan exhibition of the works of Elioth Gruner (1932), National Art Gallery of New South Wales, Sydney, 21 Dec 1932–21 Feb 1933
150 years of Australian art (1938), National Art Gallery of New South Wales, Sydney, 27 Jan 1938–25 Apr 1938
A retrospective exhibition of Australian painting, Art Gallery of New South Wales, Sydney, 25 Sep 1953–25 Oct 1953
Elioth Gruner 1882-1939 (1983), Art Gallery of New South Wales, Sydney, 13 Jul 1983–04 Sep 1983
Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Australia, 19 Apr 1986–15 Jun 1986
The Wynne prize: an Australian landscape tradition (1987):
Two hundred years of Australian painting : Nature, people and art in the southern continent:
Leaping boundaries: a century of New Zealand artists in Australia, Mosman Art Gallery, Mosman, 09 Jun 2001–17 Jul 2001
Parallel Visions: Twenty-two artists from the Australian collection, Art Gallery of New South Wales, Sydney, 22 Feb 2002–May 2003
The Big River Show - Murrumbidgee Riverine, Wagga Wagga City Art Gallery, Australia, 11 Oct 2002–01 Dec 2002
Elioth Gruner: the texture of light: