(France 28 Mar 1861 – 24 Dec 1929)
176.5 x 180.4 cm
Another of the prolofic technicians of late nineteenth-century art, Dinet was a French-born painter-illustrator, with a penchant for attention-seeking titles and striking technical effects are exploited in 'The snake charmer', an orientalist painting that doubles as a touristic postcard. Exotic in its geo-graphical setting and sensational in its subject matter, it further trades on scale as a strategy to arrest the viewer. The figures are large and brilliantly coloured, seeming to spill into the gallery space. The charmer himself is consciously that, with a toothy smile and 'authentic' costume. Also noteworthy is the treatment of bright sunlight which Dinet translates into broad applications of impasto paint with practised, not to say formulaic, ease. No real attempt is made to create a composition. Rather, the cropped casualness of a photograph is suggested.
AGNSW Handbook, 1999.
Paris Salon, Paris/France, Purchased by the AGNSW from the Paris Salon 1890
Koudir Benchikou, Catalogue del l'oeuvre de Dinet, 1984, 194. cat.no. 144
Koudir Benchikou, La vie et l'oeuvre de Etienne Dinet, Paris, 1991. cat.no. 144
Leonce Bénédite, L'artiste, 1890, 85.
Roger Benjamin, Look, 'The Romance of Arabia - Orientalism - Delacroix to Klee', pg. 14-17, Heidelberg, Oct 1997, 15 (colour illus.), 16.
Roger Benjamin, Orientalism - Delacroix to Klee, 'The Oriental Mirage', pg. 7-31, Sydney, 1997, 20, 41-43, 44 (colour illus.), 45, 129 (colour illus.), 129-30.
Tim Bonyhady, Images in opposition: Australian landscape painting 1801-1890, 'Contrasting lights', pg.135-154, Melbourne, 1985, 149.
Armand Dayot, Le Salon de 1890, 1890, 84 (illus.).
Robert Dessaix, (and so forth), Sydney, 1998, (colour illus.). The image appears between pages 232 and 233.
Jeanne Dinet Rollince, La vie de E. Dinet, 1938, 62.
R. Fernandez, Le monde illustre, 17 May 1890, 322.
Renée Free, Art Gallery of New South Wales Handbook, 'European', pg. 36-56, Sydney, 1988, 48.
Maurice Hamel, Le Salon de 1890, 1890, 86 (illus.).
Janet Hawley, Good Weekend, 'Scenes from the Kaskah', pg. 24-30, Sydney, 1997, 27, 28 (colour illus.).
Ernest Hoschédé, Brelaus de salons, 1890, 225.
Bruce James, Art Gallery of New South Wales Handbook, 'Western Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 50 (colour illus.).
Firmin Javel, L'art francais, 28 Jun 1890. cat.no. 166 (repr. en glyptographie)
Georges La Fesnetic, Revue des deux mondes, vil 3, 1890, 925.
Elwyn Lynn (Editor), Art and Australia (Vol. 22, No. 1), 'Victorian favourites: a conversation - Elwyn Lynn and Lloyd Rees', pg. 49-56, Sydney, Spring 1984, 49, 52, 55.
Paul Mantz, Le Temps, 02 Jul 1890.
National Art Gallery of New South Wales, Catalogue of the National Art Gallery of New South Wales 1906, Sydney, 1906, (illus.). cat.no. 77
National Art Gallery of New South Wales, Continental Art, Sydney, 1940. cat.no. 1
Henri Pagat, Revue francaise et samedi réunis, 1890, 97.
Lynne Thornton, The Orientalists: painter travellers, 1983.
Anna Waldmann, Salon and Academie: the charm of tradition, Sydney, 1984, (illus.). no catalogue numbers
Editor Unknown (Editor), An exhibition of French art at the National Art Gallery of N.S.W, Sydney, 1944. cat.no. 101
Editor Unknown (Editor), Art and Australia, 'The Art of Arthur Streeton', pg. 12, Australia, 1919, 12.
Editor Unknown (Editor), Paris Salon, Paris, 1890, 95 (illus.).
Author Unknown, Figaro, 1890, (illus.).
Author Unknown, L'Art et les artistes, 1909-1910, 163-172.
Paris Salon, 1890, Paris Salon, Paris, 1890–1890
Salon de 1890, Société Nationale des Beaux-Arts, Paris, 1890–1890
Loan collections of oil paintings:
Exhibition of Continental Art, Art Gallery of New South Wales, Sydney, Nov 1940–Dec 1940
An exhibition of French art at the National Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 04 Oct 1944–31 Oct 1944
Salon and Academie: the charm of tradition, Art Gallery of New South Wales, Sydney, 15 Nov 1984–May 1985
Orientalism - Delacroix to Klee: