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Title

Mimosa Wood


Artist

Paul Nash

England

11 May 1889 - 11 Jul 1946


About

Throughout his career Paul Nash was fascinated by landscapes but is best remembered for his work as a war artist, serving in the first and second world wars. He was greatly influenced by the European avant-garde styles of abstraction and surrealism and was one of the founding members of the short lived Unit One, a group of painters, sculptors and architects that included Henry Moore, Barbara Hepworth and Ben Nicholson, and who helped to revive English art in the interwar years.

It is most likely that Nash made the preparatory sketch for this work in the early months of 1925 whilst he and his wife stayed at the Pension de la Plage in Cros de Cagnes, France. The Mimosa wood could be seen from their bedroom window.


Details


Date

1926


Media category

Painting


Materials used

oil on canvas


Dimensions

54.1 x 65.2 cm stretcher; 71.0 x 82.5 x 5.7 cm frame


Signature & date

Signed l.r., grey and black paint "Paul Nash". Not dated.


Credit

Watson Bequest Fund 1946


Location

Not on display


Accession number

7775


Artist information

Paul Nash

Works in the collection

8


Shown in 5 exhibitions

Exhibition history


Provenance


The Lefevre Gallery, 1926, London/England

The Redfern Gallery, circa 1934, London/England, Sold to C.J. Scaramanga

C.J. Scaramanga, 1934-12 Feb 1936, Purchased from the Redfern Gallery 1934 and sold 12 February 1936

Royan Middleton, post 12 Feb 1936, Purchased from Scaramanga's sale

Christie's London, 21 May 1946, London/England

Arthur Tooth & Sons Ltd, 21 May 1946-22 Nov 1946, London/England, Purchased by the AGNSW from Arthur Tooth & Sons 1946. Purchased by Tooth's from Christie's London, 21 May 1946.


Referenced in 11 publications

Bibliography


Anthony Bertram, Paul Nash: the portrait of an artist, London, 1955, 156.

Edmund Capon and Jan Meek (Editors), Portrait of a Gallery, 'European 20th Century Art', pg. 91-95, Sydney, 1984, 91.

Andrew Causey, Paul Nash, 'Catalogue: Oil paintings and watercolours', pg. 345-476, Oxford, 1980, 396. cat.no. 542

Margot Eates, Paul Nash: the master of the image, 1889-1946, 'The Iden Period 1925-1929', pg. 36-43, London, 1973, (illus.), 38, 120. plate.no. 44

Renée Free, Art Gallery of New South Wales catalogue of British paintings, Sydney, 1987, 135 (illus.).

Ted Gott, Laurie Benson and Sophie Matthiesson, Modern Britain 1900-1960, Melbourne, 2007, 188, 189 (colour illus.).

Anne Kirker and Peter Tomory, British painting 1800–1990 in Australian and New Zealand public collections, Sydney, 1997, 138. cat.no. 1576

Barry Pearce, Paul Nash - photographer and painter, 'Paul Nash works from Australian collections', pg. 41-51, Perth, 1977, 41, 44 (illus.). cat.no. 108

Sir Herbert Read, Margot Eates, Sir John Rothenstein, E.H. Ramsden and Philip Brutton James, Paul Nash paintings, drawings and illustrations, London, 1948, (illus.). plate.no. 47, as 1927

Sir John Rothenstein, Modern English painters Lewis to Moore, London, 1956, 109.

Tate Britain, Paul Nash paintings and watercolours, London, 1975, 69. cat.no. 97