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Title

Jar 'toh prik'

early 19th century


Artist

Bencharong ware

Thailand


About

'Lai Nam Thong' or 'Bencharong ware'

Bencharong and Lain Nam Thon wares are polychrome porcelain wares made in the city of Jingdezhen (the porcelain capital of China) and richly decorated to Thai tastes with bright enamel glazes. It is thought that Buddhist books and paintings were supplied as references and sent to Guangzhou merchants, who acted as intermediaries to the Chinese potters and decorators for foreign orders. As with Western orders, new, alien ceramic shapes were communicated by maquettes in wood or perhaps metal. While the name Bencharong derives from the sanskrit words ‘pancha’ and ‘ranga’ meaning five colours, Bencharong wares can also be found with as little as three and as many as eight colours.

After the fall of Autthaya to the Burmese in 1767 Lain Nam Thong wares superseded Bencharong wares as the exclusive wares of royalty. While closely related to Bencharong wares, Lain Nam Thon wares are distinguished by their use of gold in either the main pattern or background.

This small 'toh prik' jar would have been used for medicine or cosmetics. The gilt stupa finial is a less common feature that probably reflects Cambodian influence.

Asian Art Dept., AGNSW, December 2015


Details


Other Title

Octagonal toh prik jar decorated with vertical panels of gilt and red foilage designs


Place where the work was made

Thailand


Period

Rama II Period 1809 - 1824 → Thailand


Date

early 19th century


Media category

Ceramic


Materials used

porcelain with enamel decoration and gold finial


Dimensions

6.0 x 5.5 cm


Signature & date

Not signed. not dated.


Credit

Gift of Mr F. Storch 1984


Location

Not on display


Accession number

68.1984.a-b


Artist information

Bencharong ware

Works in the collection

14


Place

Where the work was made
Thailand

Referenced in 2 publications

Bibliography


Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Export Ceramics', Sydney, 2003, 143 (colour illus.).

Jackie Menzies, TAASA Review, 'The Nanhai Trade', pg. 4-7, Sydney, Mar 2004, 4-5, 6 (colour illus.), 7.