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Title

Headband


Artists

Unknown Artist


About

Headbands made by sewing drilled and polished nassa shells onto a band of barkcloth, banana leaf, or other support were found in many highland cultures. In pre-contact times, nassa shells were traded from the north coast along the Jimi River into the Mount Hagen region. For many highlanders, the source of shells was unknown. The Huli and Wola of the southern highlands believed nassa shells were harvested from an enormous tree. The Telefolmin of the western highlands thought they emanated from the corpse of a man.

Before the 1940s nassa shells were rare. Valuable shell headbands – often worn by men in battle – were gifted as part of wealth exchange ceremonies together with ropes of cowrie shells. When the Australian administration began bringing large quantities of nassa shells directly into the highlands, large mats of shells began to circulate and were included as part of bride price payments. Pearlshells and cash eventually superseded nassa shells as important bride wealth items.

[Exhibition text for 'Plumes and pearlshells: art of the New Guinea highlands', AGNSW, 2014]


Details


Cultural origin

Kewa people


Date

collected 1969


Materials used

barkcloth, nassa shells (Nassarius), plant fibre string, red pigment


Dimensions

decoration 31.0 cm length; overall 79.0 cm length; 6.5 cm width


Credit

Gift of Stan Moriarty 1977


Location

Not on display


Accession number

626.1979



Shown in 1 exhibition

Exhibition history


Referenced in 1 publication

Bibliography


Natalie Wilson (Editor), Plumes and pearlshells: art of the New Guinea highlands, Sydney, 2014, 106 (colour illus.), 161. cat.no. 52