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Collection

An image of Mount Ida, Lake St Clair, Tasmania by WC Piguenit

WC Piguenit

(Australia 27 Aug 1836 – 17 Jul 1914)

Title
Mount Ida, Lake St Clair, Tasmania
Year
(circa 1881)
Media category
Watercolour
Materials used
pencil, watercolour, scraping out, white gouache highlights on white wove paper
Dimensions

33.2 x 52.9 cm sheet

Signature & date
Not signed. Not dated.
Credit
Purchased 1882
Accession number
5703
Location
Not on display
Further information

William Charles Piguenit was born in Hobart, the son of a convict of French Huguenot extraction. He was employed as a mapmaker by the Tasmanian Lands and Survey Department in 1850 and learnt lithography there from the painter Frank Dunnett (1822-91) and Robin Vaughan Hood (best remembered now as a framer, 1802-88) and developed an interest in photography. Piguenit accompanied James R Scott's expedition to Arthur Plains and Port Davey in 1871, to Lake St Clair in 1873 and exhibited photographs and paintings throughout the 1870s. He moved to Sydney in 1880, settled in Hunter's Hill and travelled extensively in search of landscape subjects. He visited England and Wales in 1898 and 1900. He is perhaps best known for his Tasmanian landscapes and his monumental painting 'The flood on the Darling 1890' (1895) in the Gallery's collection.

Although this watercolour was awarded second prize in the John Sands competition of 1881, its three judges, E L Montefiore, Eccleston Du Faur and John Garbett, were reported in the 'Telegraph' as stating that for 'purely artistic qualities' they considered it better than the work to which they gave first prize, C E Hern's 'Govett's Gorge looking towards the Valley of the Grose'. However, they believed that Hern's work (also purchased by the Gallery in 1881) suited the requirements of the prize better – 'being an excellent representation of a well-known and very characteristic scene, familiar to all tourists in New South Wales.'

excerpt from Hendrik Kolenberg, Anne Ryan and Patricia James, '19th century Australian watercolours, drawings & pastels in the Gallery's collection', Art Gallery of New South Wales, Sydney, 2005

Bibliography (9)

James Backhouse Walker, Walk to the west, Hobart, 1993, 41 (colour illus.). plate no. 15

Jean Campbell, Australian watercolour painters: 1780 to the present day, 'The 1850s, 1860s and 1870s', pg. 52-61, Roseville, 1989, 59 (colour illus.).

Christa E. Johannes and Tony Brown, W.C. Piguenit 1836-1914: retrospective, Hobart, 1992, 24 (colour illus.), 107. cat.no. 72

Hendrik Kolenberg, Nineteenth century Australian watercolours from the collection, Sydney, 1991. cat.no. 58

Hendrik Kolenberg, Anne Ryan and Patricia James, 19th century Australian watercolours, drawing and pastels from the Gallery's collection, Sydney, 2005, 70, 71 (colour illus.).

National Art Gallery of New South Wales, An historical survey of Australian watercolour painting, Australian Commonwealth Jubilee celebrations 1951, Sydney, 1951. cat.no. 6

Editor Unknown (Editor), The Sydney Morning Herald, 'Fine arts', Sydney, 21 Nov 1881.

Editor Unknown (Editor), Sydney daily telegraph, 'John Sands' competition', Sydney, 19 Nov 1881.

Editor Unknown (Editor), The Sydney Morning Herald, 'Fine arts', Sydney, 16 Nov 1881.

Exhibition history (6)

John Sands' art competition (1881), Art Gallery of New South Wales, Sydney, Nov 1881 -

110 Years of Australian Art, Blaxland Gallery, Sydney, Sep 1950 -

An historical survey of Australian watercolour painting:

Nineteenth century Australian watercolours from the collection (1991), Art Gallery of New South Wales, Sydney, 13 Apr 1991–07 Jul 1991

W.C. Piguenit 1836-1914:

19th century Australian watercolours, drawings & pastels, Art Gallery of New South Wales, Sydney, 06 Apr 2005–24 Jul 2005