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Collection

An image of Yalkoora Soak by Helicopter Tjungurrayi

Helicopter Tjungurrayi

(Australia 01 Jul 1947 – )

Language group
Kukatja, Western Desert region
Title
Yalkoora Soak
Other titles:
Untitled
Place of origin
Balgo HillsEast KimberleyWestern AustraliaAustralia
Year
1999
Media category
Print
Materials used
etching with plate tone, orange/red ink on white wove paper
Edition
12/30
Dimensions

45.6 x 33.1 cm platemark; 77.8 x 53.3 cm sheet

Signature & date
Signed l.r. beneath platemark, pencil "Helicopter" [in another hand]. Signed l.r. beneath platemark, blue ink "[artist's thumbprint]". Not dated.
Credit
Mollie Gowing Acquisition Fund for Contemporary Aboriginal Art 2000
Accession number
519.2000
Copyright
© Helicopter Tjungarrayi. Courtesy Warlayinti Artists
Location
Not on display
Further information

Located at Wirrimanu (Balgo Hills) on the northern edge of the Tanami and Great Sandy Deserts is one of the most diverse and innovative indigenous art centres in Australia. Warlayirti Artists, the art centre cooperative, promotes the rich and evolving work of the talented artists who live in this remote community.
Warlayirti Artists is new to printmaking. The remote location has meant little access to the facilities required for prints, despite the success with works on canvas.
During the printmaking workshop at Northern Editions, Northern Territory University in 1999, Helicopter, together with Tjumpo Tjapanangka, Sam Tjampitjin, Billy Thomas, Eubena Nampitjin and Lucy Yukenbarri all made etchings and screenprints, while most of the artists also painted on ceramic bowl forms, under the supervision of Rose and Angus Cameron. The artists had previously been exposed to the possibilities of printmaking at Balgo by Franck Gohier and George Watts.
Born at Ninmi, Helicopter learnt from a young age the location of water sources and how to hunt for bush food. Helicopter is a 'maparn' and people travel hundreds of miles to see him for healing. He is also a respected painter alongside his wife Lucy Yukenbarri. In the early 1990s he painted with his wife, not seeking any acknowledgement. Since 1994 Helicopter has been painting on his own in a distinctive linear style that emanates around the central feature of a soakwater. He remains dedicated to painting his country and the country of his mother and father where he lived a nomadic life as a young boy.

Excerpts from 'Land Mark: Mirror Mark', NTU, Darwin, 1999

Exhibition history (1)

Contemporary Australian prints from the collection (2004), Art Gallery of New South Wales, Sydney, 03 Apr 2004–06 Jun 2004