Woman with glove

Anne Dangar is renowned for her innovative pottery designs that fuse traditional techniques with modernist motifs. An early exponent of cubism in Australia, she moved to France in 1930 where she became a highly esteemed figure in an artists’ colony established by French cubist painter Albert Gleizes.

Despite her lack of success in Australia during her lifetime, Dangar has been posthumously recognised as a highly important figure in the modern art movement and her ceramic output attests to her skills as a potter and decorator. Dangar's great ability was in adapting cubist, Celtic and other historical symbols for use on functional forms in ways which was both aesthetically pleasing and artistically satisfying through use of Gleizes' formal principles.

Dangar played an important role in Sydney’s cultural landscape, despite remaining in France, by sending books and excerpts from Gleizes’ lessons on cubist principles to her friend Grace Crowley, who disseminated them to her students, including Ralph Balson, at the Crowley-Fizelle school, providing the foundation for progressive modernist instruction in this country.

As well as domestic ware, Anne Dangar also produced a number of ceramics specifically for exhibition, often based on designs by her great mentor, Albert Gleizes. This design is adapted from Gleizes' 1922 painting Woman with glove and was used by Dangar on multiple plates which entered public collections at the time. The current example is the largest known while smaller versions are held in the Musée d’Art moderne de la Ville de Paris and the Centre Pompidou in Paris.