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Collection

An image of The lion's cage by Giovanni Domenico Tiepolo

Giovanni Domenico Tiepolo

(Italy 30 Aug 1727 – 03 Mar 1804)

Title
The lion's cage
Other titles:
Punchinello at the zoo
Year
circa 1800
Media category
Drawing
Materials used
pen and brown ink, brown wash over black chalk underdrawing
Dimensions

35.3 x 46.8 cm sheet; 52.0 x 63.0 x 2.5 cm frame

Signature & date
Signed c.r. [on banner], pen and brown ink "Dom Tiepolo...". Not dated.
Credit
Gift of James Fairfax AC 1993
Accession number
486.1993
Location
Not on display
Further information

Domenico (also known as Giovanni Domenico or Giandomenico) was the son of the celebrated Giambattista Tiepolo. He trained with his father in the early 1740s and worked with him as an assistant and collaborator through- out the latter’s life, as well as working as an independent master. After his father’s death in Spain – where Domenico had accompanied him to assist with decorations in the Royal Palace – Domenico returned to Venice and there became a prominent artist in his own right, working in a style dependent on but not wholly subservient to his father’s. He was elected president of the Venetian Academy in 1780.

From the start, Domenico was a vigorous and prolific draughtsman and his finest achievement is a series of 104 drawings depicting the experiences of the ‘everyman’ figure, Punchinello. The drawings were begun when he was an old man, shortly after the fall of Venice to Napoleon in 1797.

Domenico knew the popular character of Punchinello from the traditions of the Neapolitan commedia dell’arte, and he had already treated the subject in the frescos of the Tiepolo family’s villa (now Palazzo Rezzonico, Venice) at Zianigo, which he painted in 1793–97. Punchinello is the humpbacked, pot-bellied figure with a beaky mask who wears a baggy white tunic and a sugar-loaf hat. Traditionally he was a coarse and quarrelsome character who epitomised the baseness of human nature. In England he was the origin of Mr Punch in the Punch and Judy show.

The series was conceived with a title page, DIVERTIMENTO PER LI REGAZZI (an entertainment for children), and was long unknown until its appearance at a Sotheby’s auction in 1920. It remained intact only briefly before the drawings were resold the following year and then dispersed throughout various museums and private collections.

The series starts with Punchinello’s family history before moving on to the subject of his birth – he is hatched from a giant egg incubated by a turkey. It includes scenes related to his childhood, his marriage and, finally, his deathbed. Along the way there are a host of far-fetched adventures, notably Punchinello’s travels abroad and his arrest and imprisonment.

The drawings are all numbered in the upper left margin but this does not correspond to the flow of a narrative sequence. However, the series can be divided into a number of thematic groupings: Punchinello’s ancestry and childhood; his various trades and occupations; his adventures when travelling abroad; his social and official life; his last illness and death. Domenico apparently devised the story as he went along, more often than not incorporating an entire crowd of Punchinellos into a single scene so that it is impossible to distinguish a single hero.

The Gallery’s drawing is one of six depicting the subject of Punchinello at the circus, all of which feature the same backdrop of a fence made of rough planks. It shows a group of Punchinellos listening attentively to a lion keeper who shows off the animal in his charge. The enthralled audience also includes a couple of ladies, together with a small pet dog approaching the cage with a mixture of caution and trepidation.

Bibliography (8)

Art Gallery of New South Wales, Art Gallery of New South Wales Annual Report 1994, Sydney, 1994, 44.

Art Gallery of New South Wales, Great gifts, great patrons: an exhibition celebrating private patronage of the Gallery, Sydney, 1994. no catalogue numbers

Art Gallery of New South Wales, The James Fairfax collection of old masters, Sydney, 1992. no catalogue numbers

Richard Beresford and Peter Raissis, The James Fairfax collection of old master paintings, drawings and prints, Sydney, 2003, 192 (colour illus.). cat.no. 56

Renée Free, The Art Gallery of New South Wales collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. 108-172, Sydney, 1994, 122 (colour illus.).

Adelheid Gealt, Domenico Tiepolo: the Punchinello drawings, New York, 1986, 183. no. 84

Indiana University Art Museum, Domenico Tiepolo's Punchinello drawings, 1979, 134. cat.no. S55

Philip Wilson and Alison Brand, Art at auction, London, 1967, 110, 111 (illus.).

Exhibition history (7)

Unknown exhibition, Musée des Arts Décoratifs, Musée des Arts Décoratifs, Paris, Paris, 1921–1921

Domenico Tiepolo's Punchinello drawings, Indiana University Art Museum, Bloomington, 1979–1979

The James Fairfax collection of old masters, Art Gallery of New South Wales, Sydney, 25 Apr 1992–14 Jun 1992

Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994

The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 Apr 2003–20 Jul 2003

Old Europe: Prints & drawings from the collection 1500-1800, Art Gallery of New South Wales, Sydney, 03 Jun 2006–06 Aug 2006

European prints and drawings 1500-1900, Art Gallery of New South Wales, Sydney, 30 Aug 2014–02 Nov 2014