(England, Australia 18 Feb 1767 – 09 Dec 1849)
78.0 x 115.6 cm stretcher; 106.0 x 143.5 x 14 cm frame
John Glover was already an established artist when he emigrated to Tasmania in 1831 at the age of 64. A highly successful watercolourist and painter of Arcadian views in the tradition of French landscapist Claude Lorrain, Glover quickly adapted his picturesque style and luminous technique to his new surrounds.
One of his most subjective works, this painting is informed by European notions of an Antipodean Arcadia, with Indigenous people living in a landscape unsullied by European contact. However, ‘Natives on the Ouse River’ stands in marked contrast to the actual situation of the traditional owners of Ouse River country - the Braylwunyer people of the Big River nation - which was one of dispossession and violence at the hands of the colonists.
Erica Burgess, John Glover and the Colonial Picturesque, 'Glover's oil paintings: materials and techniques', pg. 242-247, Hobart, 2003, 223 (colour illus.), 242 (colour illus. of verso of canvas), 243. titled 'Natives on the Ouse River, Van Diemen's Land'; dated 1838
Edmund Capon, I blame Duchamp: my life's adventures in art, 'John Bull and the Little Boy at Manly', pg. 321-333, Surry Hills, 2009, 328.
Edmund Capon, 10 Masterpieces of Australian Painting, Sydney, 1993, (colour illus.).
Robyn Donohue, Look, 'Arcadia: Nineteenth Century Australian Photography', pg. 22-23, Heidelberg, Oct 1998, 23.
Terry Ingram, A matter of taste: investing in Australian art, Sydney, 1976, (colour illus.). plate no. 3
Bruce James, Art Gallery of New South Wales Handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 104 (colour illus.).
Bruce James, The Sydney Morning Herald, 'The big idyll', pg. 12-13 (Spectrum), Sydney, 12 May 2001-13 May 2001, 12, 13 (colour illus.). NOTE: this article appears in Spectrum, pg. 12-13.
David Leser., The Australian, 'Masterpiece of poetic justice', Surry Hills, 05 Nov 1985, page unknown (illus.). Article about purchase of work with b&s photograph of Curator of Australian Art, Barry Pearce, standing in front of painting
Elwyn Lynn (Editor), Art and Australia (Vol. 23, No. 2), Sydney, Summer 1985, 190 (colour illus.).
Elwyn Lynn, The Australian, ' An eye for Glover's nature', Surry Hills, 20 Oct 1986, 6.
Terence Maloon and Ursula Prunster, Art & the West, 'Destruction & creation: The frontier', Sydney, 1987, (colour illus.). AUS 2 card.
Alan McCulloch, Encyclopedia of Australian Art (Vol.1, A-K), Hawthorn East, 1984, (illus.). illus.no. 5
Ewen McDonald (Editor), The Art Gallery of New South Wales Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 10 (colour illus.).
Patricia McDonald, Art treasures: candidate citites for the 2000 Olympic Games: Beijing, Berlin, Brasilia, Istanbul, Manchester, Sydney, 'Natives on the Ouse River, Van Diemen's Land', pg. 160, Lausanne, 1993, 160, 161 (colour illus.). cat.no. 1 Sydney
Barry Pearce, Art Gallery of New South Wales Handbook, 'Australian', pg. 13-35, Sydney, 1988, 14-15 (colour illus.).
Barry Pearce, Look, 'A question of balance: How it is bringing changes to the old courts and beyond', pg. 28-29, Newtown, Sep 2009, 29 (colour illus.).
Barry Pearce, Southern reflections: 10 contemporary Australian artists, 'An Introduction to Australian Art', pg. 34-42, Sydney, 1998, 35 (colour illus.). fig.no. 3
Laura Pia, Look, 'Seeing art takes more than looking: Audio description tours now at the Gallery', pg. 12-13, Newtown, Jul 2009, 13.
Ursula Prunster, Look, 'Image and identity: the perennial question of Australian identity features in the Gallery's 2001 lecture series', pg. 10-11, South Yarra, Dec 2000-Jan 2001, 11 (colour illus.).
Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). card no. 1: John Glover 'Natives on the Ouse River, Van Diemen's Land' 1838
Julie Roberts, Uncertain ground: essays between art + nature, 'The edge of the trees at the end of the millennium', pg. 125-141, Sydney, 1999, 129 (illus.), 130.
Anne Ryan, Australian art: in the Art Gallery of New South Wales, 'Colonial eyes', pg. 17-18, Sydney, 2000, 18, 23 (colour illus.), 300.
Jill Sykes, Look, ‘Barry Pearce’s next book-call it “segueing with intent”’, pg. 28-29, Newtown, Mar 2012, 28 (colour illus.), 29.
Wayne Tunnicliffe and Deborah Edwards, Look, ‘New Australia’, pg. 24-27, Newtown, May 2012, 25.
Karl Rawdon von Stieglitz, A history of Hamilton, Ouse and Gretna, Launceston, 1963, (illus.).
Vivienne Webb, Australian Collection Focus: John Glover Natives on the Ouse River, Van Diemen's Land 1838, 'The Woods of Arcady are dead...', pg. 2-6, Sydney, 2001, front cover (colour illus., detail), 2-4, 5 (colour illus.), 6-8.
Vivienne Webb, Look, 'Colonial perspective', pg. 22-23, South Yarra, Apr 2001, 22 (colour illus.), 23.
Judith White, Look, 'Olympians of Australian art', pg. 16-18, South Yarra, Jul 2000, 17 (colour illus.).
Editor Unknown (Editor), The Australian financial review, 'Cattle in a swam, p -, Sydney, 14 Mar 1974, 30.
Editor Unknown (Editor), Daily telegraph, 'Glover toast of gallery', Sydney, 05 Nov 1985, page unknown (illus.). Article about purchase of work with b&s photograph of Curator of Australian Art, Barry Pearce, standing in front of painting
Editor Unknown (Editor), The Australian financial review, '$2,000 per native - one way of pricing a Glover', pg. 36, 42., Sydney, 21 Mar 1974, 36.
Bazaar and exhibition of pictures, Cornwell Assembly Rooms, 11 Mar 1851–26 Apr 1851
Exhibition of works of art, Launceston Mechanics Institute, 09 Apr 1860–24 May 1860
John Glover from the collection of the Queen Victoria Museum and Art Gallery, The Little Gallery, 09 Jul 1971–30 Jul 1971
Art Treasures of Olympic Cities, Lausanne Olympic Museum, 22 Jun 1993–03 Oct 1993
Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994
Australian Collection Focus: John Glover Natives on the Ouse River, Van Diemen's Land 1838, Art Gallery of New South Wales, Sydney, 01 Apr 2001–24 Jun 2001