(United Kingdom, Australia, New Zealand 09 May 1828 – 15 Mar 1902)
31.0 x 46.3 cm board; 29.2 x 44.8 cm sight edge;
A keen artist–traveller in the Romantic tradition, Nicholas Chevalier concentrated on effects of atmosphere, mood and dramatic lighting in his depictions of the iconic natural wonders he found at Cape Schanck, on the southernmost tip of Mornington Peninsula.
When Chevalier sketched the fantastically carved shapes of the rocks at Cape Schanck, he chose not to include any hints of human presence, although this remote part of the Victorian coast was already a tourist attraction for Melburnians in the 1860s.
Simon Gregg, Nicholas Chevalier: Australian odyssey, Sale, 2011, 192 (colour illus.), 193. cat.no. 55; related work cat.no. 117, 'Castle Rock, Cape Schanck', pg. 64 (colour illus.), 225 (colour illus.).
Rodney James (Curator), The artists' retreat: Discovering the Mornington Peninsula 1850s to the present, Victoria, 1999, 14 (colour illus.), 15, 37. cat.no. 26
Anne Ryan, Australian art: in the Art Gallery of New South Wales, 'Colonial eyes', pg. 17-36, Sydney, 2000, 18, 33 (colour illus.), 300.
Charles Summers, Catalogue of the Annual Exhibition of Fine Arts, 'Oil paintings', pg. 2-6, Melbourne, Dec 1862, 3. cat.no. 23
Simone Wildhaber-Creux, Swiss artists in Australia 1777-1991, 'Nicholas Chevalier', pg. 53-66, Sydney, 1991, 58 (colour illus.), 110. cat.no. 40
Annual Exhibition of Fine Arts, Studio of Charles Summers, Melbourne, Dec 1862 -
Swiss artists in Australia 1777-1991:
Plein-air painting in Europe 1780-1850, Art Gallery of New South Wales, Sydney, 04 Sep 2004–31 Oct 2004
Nicholas Chevalier: Australian odyssey: