Joanie being hosed and Raven, Summer 1973
Australian photographer Christine Godden spent the majority of the 1970s in the United States, after travelling throughout Asia and Europe. During her six years there she completed a Bachelor of Fine Arts at the San Francisco Art Institute in 1974 and a Master of Fine Arts degree at the Visual Studies Workshop in Rochester in 1978. The knowledge of the history of the medium of photography and visual anthropology that Godden developed during her time there was influenced by her engagement with contemporary feminist theory, which would have a continued resonance in her work. In 1978 she returned to Australia to become the director of The Australian Centre for Photography, Sydney.
Godden’s photographs, whether they are intimate portraits or studies of her surroundings, appear at first to be snapshots due to their distinctly personal subject matter. Her work combines an intimate vision with a formalist sensibility and an understanding of the fine print tradition. These are sophisticated and compelling photographs that celebrate the nuances of the everyday. In much of Godden’s work this is expressed in her observation of the domestic experience of women. Her photographs resist being situated beyond what has been captured in the frame; at the same time they evoke a powerful nostalgia and take on a remembered quality which recalls a time beyond the moment that has been isolated by the camera.
Reflecting on the exhibition ‘Family 1972 – 1974’ at The Australian Centre for Photography in 1986, where this work was exhibited, Godden commented, ‘At the time I never imagined the family would scatter, that we would all compromise, that fifteen years later the quality of optimism that the closeness of friendship represented in these images would feel so foreign to me… These images are from another time, another place, another photographer.’
gelatin silver photograph
20.4 x 30.6 cm image; 25.4 x 35.0 cm sheet
Signature & date
Not signed. Not dated.
Not on display
© Christine Godden
Shown in 4 exhibitions
Works from the Photography Collection, Art Gallery of New South Wales, Sydney, 10 Feb 1989–15 May 1989
Fine and mostly sunny: photographs from the collection, Art Gallery of New South Wales, Sydney, 28 Sep 1991–01 Dec 1991
Critic's Choice, Art Gallery of New South Wales, Sydney, 22 Apr 1994–10 Jul 1994
Review: works by women from the permanent collection of the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 08 Mar 1995–04 Jun 1995
Referenced in 3 publications
Sandra Byron, Fine and Mostly Sunny: Photographs from the collection, Sydney, 1991. catalogue no: 59
Deborah Edwards, Daphne Wallace, Margo Neale, Victoria Lynn and Sandra Byron, Review: works by women from the permanent collection of the Art Gallery of New South Wales, The Photography Collection, Sydney, 1995, 16, 20.
Robert McFarlane, Critic's Choice, Sydney, 1994.