(Russia also cited as 5 December 1891 – 03 Dec 1956)
93.0 x 51.5 cm sight (irreg.); 99.1 x 57.0 x 4.7 cm frame (irreg.)
The composition is painted in transparent oils over a wooden panel possibly taken from a piece of furniture. The curvature of the panel and the grain of the wood have both been incorporated into the design.
This use of a found panel and its textures makes it a very beautiful object and an outstanding example of Russian Constructivism. The composition of dynamic diagonals and shallow arcs penetrating cosmic spheres has surprisingly Cubist connections. It is reminiscent of Picasso and Braque's guitars in Analytic Cubist painting. The use of wood grain enhances this association.
Friedman Collection, St Petersburg/Russia
Alexander Archipenko, late 1970s, St Petersburg/Russia, relative of the sculptor Alexander Archipenko (1887-1964)
Dorothee Altenburg, 1994-Dec 1997, Germany, Purchased by the AGNSW from Mrs Dorothee Altenburg 1997
Andrew Spira, The avant-garde icon: Russian avant-garde art and the icon painting tradition, 'The iconic techniques of the avant-garde', pg.46-125, London, 2008, 93 (colour illus.). no.45
Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 57 (colour illus.).
Edmund Capon, Art Gallery of New South Wales Annual Report 1998, 'Director's Statement', pg. 7-8, Sydney, 1998, 8 (colour illus.).