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Collection

An image of Strokes 90-13 by HARA Takeshi

HARA Takeshi

(Japan 1942 – )

Title
Strokes 90-13
Place of origin
Japan
Period
Heisei period 1989 - → Japan
Year
1990
Media category
Print
Materials used
lithograph
Edition
10/20
Dimensions

95.0 x 63.0 cm image; 100.0 x 120.0 cm sheet

Signature & date
Signed l.r., pencil "Takeshi Hara". Not dated.
Credit
Gift of the artist 1993
Accession number
416.1993
Copyright
© HARA Takeshi
Location
Not on display
Further information

Born in Nagoya, Hara graduated from the oil-painting department of the Tokyo University of Fine Arts and Music in 1967, and now lives in Tokyo.

As with several other printmakers who emerged to prominence in the I970s, much of his work has been pristine, dispassionate and self-contained: pure, original design with no personal involvement. Hara sees only a marginal distinction between graphic design and prints; for him the goal was the final dispassionate design that existed as an original image.

Hara has been working with the theme of strokes since the I970s. The strokes are paths of light, each one a range of intensities captured by Hara's magnificent technique of colour gradation. Hara prefers the screenprint and lithograph techniques for his prints because they allow him the flat coolness and perfect evenness he considers desirable. While throughout the 1970s and I980s his strokes were suspended on a blank ground, moving bands of pure light and colour, now in his recent work the strokes are fewer and contrasted against a soft, subtly expressive grey background. In such works he seems to introduce a more personal element, admitting that he wants to express the rhythm and timbre of his spirit through the strokes of his moving arm.

Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, p. 29.

Bibliography (1)

Jackie Menzies, Contemporary Japanese Prints : The Urban Bonsai, Sydney, 1992, 29, 35 (colour illus.). cat.no. 12

Exhibition history (1)

The Urban Bonsai: