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Collection

An image of (Untitled) by Adachi/Shôsai GINKÔ

Adachi/Shôsai GINKÔ

(Japan  – )

Title
(Untitled), from the series Pictures of ladies' etiquette
Place of origin
Japan
Period
Meiji period 1868 - 1912 → Japan
Year
1891
Media categories
Print, Book
Materials used
concertina album; triptych; colour woodblock print
Dimensions

35.4 x 23.7 cm

Credit
Gift of Shona Barker 2008
Accession number
408.2008.4.a-c
Location
Not on display
Further information

This work is from a fairly well-preserved concertina album which contains eight triptychs by two prominent print artists of the Meiji period, Adachi/Shōsai Ginkō and Toyohara/Yōshū Chikanobu. Except for the first triptych by Ginkō which depicts the Heian period court-lady Murasaki Shikibu, the author of the ‘Tale of Genji’, attending Empress Shōshi, all the other triptychs focus on wealthy, sophisticated contemporary women performing social activities like entertaining guests, gathering for tea ceremony, attending sewing classes or preparing decorations for the five major seasonal festivals. This triptych depicts a group of women and children preparing the decorations of the five major festivals of the year: New Year, Doll festival (3rd day 3rd month), Boy’s festival (5th day 5th month), Tanabata festival (7th day 7th month), Feast of Chrysanthemums (9th day 9th month).

In line with the increasing concern of Japanese government officials to teach moral values to the new generation in the early 1890s, a number of books were published concerning proper behaviour for women. Serving as manuals, many of those were entitled “Ladies’ Etiquette” ('Onna Reishiki') and described how women, especially those of the upper-class, should dress and act in various social events, giving them detailed instructions on the proper way to sit, bow, serve tea, welcome guests, how to spend their past time etc. Great attention has been paid to the rich colour and pattern of the kimono, suggesting that these prints might have functioned as fashion plates for wealthy ladies. Especially Ginkō’s prints were deluxe editions, made upon commission and used luxurious techniques such as blind printing.

Asian Art Department, AGNSW, December 2008.