(Australia, England 24 Sep 1899 – 13 May 1970)
35.0 x 27.0 cm board; 54.0 x 46.0 x 6.0 cm frame
This self portrait was painted three years after William Dobell arrived in London as recipient of the 1929 New South Wales Society of Artists Travelling Art Scholarship. Prior to painting this work, Dobell had visited Holland and studied
Rembrandt and Van Gogh in 1930, and travelled to Belgium to study the work of the Dutch masters in 1931.
'Self portrait' represents a daring act of self-exposure. Its significance lies in Dobell’s successful attempt to define the self without glamour, bravado or artifice. Though small in size, this portrait has an intensity of presence. It was produced during a period when the impoverished artist often painted on small scraps of panel or strawboard.
Brian Adams, Portrait of an artist: A biography of William Dobell, Melbourne, 1983, 64 (illus.).
Scott Bevan, Bill: the life of William Dobell, Cammeray, 2014, n.pag.. colour illustration in between pp 244-245
Helen Campbell, Australian art: in the Art Gallery of New South Wales, 'Out of Sydney: city and hinterlands', pg. 185-186, Sydney, 2000, 187 (colour illus.), 300.
Mary Eagle, Australian Modern Painting Between the Wars 1914-1939, 'Sydney divided', pg. 138-165, Sydney, 1989, 150, 151 (colour illus.). plate no. 112
Deborah Edwards, Look, 'William Dobell's Self-portrait', pg. 17, Heidelberg, Sep 1986, 17 (illus.).
Anne Gray, Face: Australian portraits 1880-1960, Canberra, 2010, 144 (colour illus.).
Jane Hylton, William Dobell: portraits in context, 'Image of contention', pg. 10-20, Kent Town, 2003, 2 (colour illus.), 14, 19, 22, 41 (colour illus.).
Margaret Meagher (Editor), State of the arts, 'William Dobell 1899-1970 The Painter's Progress', Sydney, Dec 1996-Mar 1997, 7 (illus.).
Sam Neill, Celebrity choice: Sam Neill, Sydney, 1987, (colour illus.). catalogue entry; no catalogue entry; not paginated
Marcus O'Donnell (Editor), Outrage, Melbourne, Mar 1997, 3 (colour illus.), 36 (colour illus.), 37-39.
Barry Pearce, Australian painters of the twentieth century, 'William Dobell', pg. 76-87, Roseville, 2000, 79 (colour illus.).
Peter Raissis, William Dobell - the painter's progress, 'London: life and portraits', pg. 32-72, Sydney, 1997, 24, 32, 33 (colour illus.), 144. cat.no. 4a
Meryl Ryan, Well connected: Dobell and company, Lake Macquarie, 2001, front cover brochure insert (illus.), inside brochure insert (illus.). cat.no. 1; brochure insert not paginated
Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. 6-33, Brisbane, 2004, 6 (colour illus., detail), 24, 25 (colour illus.).
Jill Sykes (Editor), Look, Newtown, Apr 2007, 43 (colour illus.).
Wendy Symonds (Editor), Look, Heidelberg, Feb 1997, 13 (colour illus.).
Judith White, Australian art collector, 'Yours sincerely: William Dobell', pg. 56-59, Sydney, Apr 2000-Jun 2000, 59.
Author Unknown, William Dobell: the painters progress, Sydney, 1997, cover (illus.).
Author Unknown, The Art of William Dobell, Sydney, 1946, 18, 86 (illus.).
Celebrity Choice - Sam Neill, Art Gallery of New South Wales, Sydney, 08 Jan 1987–08 Feb 1987
Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994
William Dobell the painter's progress (1997-1998):
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Wellconnected - Dobell & Company, Lake Macquarie City Art Gallery, Booragul, 12 May 2001–17 Jun 2001
Well connected: Dobell & company, Lake Macquarie City Art Gallery, Booragul, 12 May 2001–17 Jun 2001
To look within: Self portraits in Australia:
Australian modern masterpieces from the Art Gallery of New South Wales: