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Collection

An image of Nicole Kidman 2007 by Anne Zahalka

Anne Zahalka

(Australia 14 May 1957 – )

Title
Nicole Kidman 2007
Year
2011
Media category
Photograph
Materials used
archival pigment ink photograph
Edition
1/5 + 2AP
Dimensions

89.5 x 58.8 cm image/sheet

Signature & date
Not signed. Not dated.
Credit
Purchased with funds provided by the Photography Collection Benefactors' Program 2011
Accession number
326.2011
Copyright
© Anne Zahalka, Licensed by Viscopy, Sydney
Location
Not on display
Further information

Magnetic, alluring, spellbinding and deliciously fake, Anne Zahalka’s ‘Nicole Kidman 2007’ casts an eerily familiar gaze at the viewer. This iconic look, circulating on a daily basis in mass media, is so ubiquitous that we take it for granted: only a startling moment later do we realize that it actually belongs to a wax statue cast in 2007 for Madame Tussaud’s museum in Hollywood.

Part of the series ‘The immortals’, this detailed ‘portrait’ attains its pull thanks to the saturated colour scheme of reds and blacks, while the dazzling spotlight and presentation allow the figure to radiate. All of these characteristics are common to religious painting, portraits of royalty, advertising lightboxes and Hollywood posters to which the artist often refers as a means of decoding popular modes of representation.

Zahalka has been consistently investigating this border between real and fabrication throughout her career in series such as ‘Bondi: playground of the Pacific’ 1989, ‘Open house’ 1995 and ‘Leisureland’ 1998-. Situated in the realms of culture, entertainment and leisure, Zahalka’s witty parodies turn back the mirror upon the systems that generate popular beliefs and practices. Using classically ironic post-modernist devices (ranging from appropriated or recreated art to photomontage), she asks the viewer to probe beneath daily, normative phenomena that govern our lives. This, of course, also requires the questioning of her own chosen medium, since, as the artist has put it, ‘it’s incredible how we still so want to believe in the photograph, even when we know how easy it is to lie.’1

Ultimately ‘Nicole Kidman 2007’ has nothing to do with Nicole Kidman. This luminously glowing effigy is more an embodiment of society’s mythmaking processes and a projection of contemporary culture’s insatiable desire to create hypereal images that devour reality itself.

1. Alasdair Foster, Anne Zahalka. ‘Interview with Anne Zahalka’, ‘Photofile’, no 69, Aug 2003 p 19

Exhibition history (1)

Group show, Roslyn Oxley9 Gallery, Paddington, 06 May 2011–11 Jun 2011